Steve Erickson

Steve Erickson
Stephen Michael Erickson, pen name Steve Erickson, is an American novelist, essayist and critic. He is the recipient of the American Academy of Arts and Letters Award in Literature, a fellowship from the John Simon Guggenheim Foundation and the Lannan Lifetime Achievement Award, and is considered an important representative of the Avantpop movement...
NationalityAmerican
ProfessionNovelist
Date of Birth20 April 1950
CountryUnited States of America
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Moviemaking is a time machine: narrative spliced into fragments and reassembled into a constant present, the end of a story shot before the beginning, which is shot after the middle.
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Movie directors who have filmed F. Scott Fitzgerald's 'The Great Gatsby' believe it's a big book looming inside a small one, and they aren't altogether wrong.
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Memory runs by its own itinerary, departing and arriving at stations of the past on its own schedule.
Like all paradises, Topanga is pitched at the tipping point of promise and peril.
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When the Doors became huge, what nascent rock intelligentsia existed at the time adored them.
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To an extent, our relationship with the movies is always subjective. Our capacity to be involved says as much about each of us; I've never fathomed why anyone would want to spend four hours in the company of the exceedingly tiresome Scarlett O'Hara.
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You can't blame movies for embracing spectacle; filmmakers since D.W. Griffith and Cecil B. De Mille have loved spectacle, and spectacle is something that movies convey like no other medium, especially in a digital age.
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When people start yammering about artistic responsibility, artists become wary. The subtext of such talk is that the arts need to be regulated, which is to say censored.
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Two subsequent incidents of import established CNN: the explosion of the space shuttle Challenger in 1986, which CNN was the only network to cover as it happened, and the 1991 Gulf War, which CNN chronicled round the clock from a proximity as irresistible as it was alarming, bomb blasts and gunfire lighting up TV screens from coast to coast.
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For half a century, the Sunset Strip was the asphalt timeline of American popular music. My most distinct memory, from more years ago than I'll confess to, is waiting for a table at the Olde World, which occupied a wedge of territory at Sunset and Holloway Drive, where the daiquiris became more vicious the longer you sat in the sun.
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For a writer, the Book Festival is interesting because you bump into all these other writers whose work you know, whose names you know, and you have a chance to put a person with the name and the work.
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David Cronenberg's 'Maps to the Stars' is a Hollywood monster movie in which Hollywood is the monster.
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Created by writer Beau Willimon, who's worked on several political campaigns, 'House of Cards' cannily exploits the current widespread cynicism for our politics, catering to a public scorn that's warranted and also glib in the sort of cheap pox-on-both-houses way that means not having to pay attention.
art
Condemning art as manipulative is a non sequitur, of course. All art is manipulative.