Steve Coogan
Steve Coogan
Stephen John "Steve" Coogan is an English actor, stand-up comedian, impressionist, writer, and producer. He began his career in the 1980s, working as a voice artist on the satirical puppet show Spitting Image and providing voiceovers for television advertisements. In the early 1990s, he began creating original comic characters, leading him to win the Perrier Award at the Edinburgh Festival Fringe. In 1999, he co-founded the production company Baby Cow Productions...
NationalityBritish
ProfessionComedian
Date of Birth14 October 1965
CityMiddleton, England
I try to not make safe choices, but I also like to do stuff which is interesting and is sort of exciting in some way and accessible.
When you see a crowd of people jumping up and down at a pop concert, all gloriously in the moment, I don't think you'll ever see a comedian there. They'll all be standing at the sides, looking at how it all fits together.
I'm a huge fan of Jack Lemmon, he was someone who managed to tread that line between comedy and tragedy and sometimes give very big performances, but they were never over-demonstrative and they were never not based on a kind of real truthful human being.
I use improvisation as a writing tool to help produce material that goes into a script, but a well-crafted script shouldn't sound scripted, and oftentimes people confuse something that looks like improvisation for what is actually a very well-written script that is well-acted.
If you are a great dramatic actor then you often don't know if people are enjoying your stuff at all because they are sitting there in silence. But with comedy it's a simple premise. If it's funny, people laugh. If it's not, they don't.
I am of the very last generation who didn't have computers at school. As we grow old we'll become something of an aberration.
I did not become successful in my work through embracing or engaging in celebrity culture. I never signed away my privacy in exchange for success.
It may seem like improv because it flows quite naturally, and a little bit of leeway for improvisation is good, but you have to be judicious with it. So it's good, but sometimes people deify it. You can't improvise your way out of a paper hat.
If you start to disrespect the character you're playing, or play it too much for laughs, that can work for a sketch, it will sell some gags, but it's all technique. It's like watching a juggler - you can be impressed by it, but it's not going to touch you in any way.
Comedy is unique in the sense that laughter is a palpable noise that everyone makes.
Actors say they do their own stunts for the integrity of the film but I did them because they looked like a lot of fun.
Even if I screw up in my personal life, as long as I'm not destroying myself, I just think, "Okay, I screwed up." I'm not Mother Theresa.
But with comedy it's a simple premise. If it's funny, people laugh. If it's not, they don't.
Even great people are always slightly disappointing, which is generally what makes them interesting.