Steve Aoki
Steve Aoki
Steven Hiroyuki "Steve" Aokiis an American electro house musician, record producer, and music executive. In 2012, Pollstar designated Aoki as the highest grossing dance artist in North America from tours. He has collaborated with producers and vocalists such as will.i.am, Afrojack, LMFAO, Iggy Azalea, Lil Jon, and Laidback Luke, and is known for his remixes of artists such as Kid Cudi...
NationalityAmerican
ProfessionMusic Producer
Date of Birth30 November 1977
CityMiami, FL
CountryUnited States of America
Vegas is a very fickle market that's about fun. It will change to what people want.
When I'm at a show, I'm there to have fun. Let's just not care for a moment. So this cake in your face is to make you lose your mind. And it's not about caring about whatever you are wearing and caring what other people are thinking about you. Out of the context, I'm trying to develop something else.
The haters and the trolls have always used me as an excuse to make fun of something that is out of the ordinary, something that doesn't necessarily make sense to them. For whatever reason, I have always been a target that people love to attack.
For me, I guess the general reason for using social media is that the connection I have with people who are interested in my music is extremely important to me. That connection is like the pillar in everything I do. I want to embrace that connection and make it stronger.
Dance music is an emotional journey. It's how well you can make people feel something that they haven't felt.
The craziest thing I've probably done during a show is the balcony dive - it was pretty scary. I was like, 'This could result in an injury of mine,' but somehow I survived.
I wasn't sheltered or spoiled. All the money I made, I made myself.
I'm 36, but I still feel like a punk kid with $200 in my savings account.
Artists are creating their own genre sound, and other artists are building upon that sound and already creating a huge subculture created around one particular sound created by one artist. So, with all that happening, the genres are going to break down, and there's going to be a multitude of sound coming out.
Being a musician since I was a teen, Guitar Center is the staple. You need anything to create, it's there. You need a Guitar Center. You gotta give it homage. It's a tool shed, and without the tool shed, it's hard to create.
The record labels used to spend money on advertising, and social media has replaced that entirely - it's putting magazines out of business. It's put big companies into completely reinventing their strategies.
There's a big gaping hole in the EDM space for songwriting. It's one thing to learn how to be a great sound designer and become big just on sound design. Especially if you're in the dubstep category, it's like, how much fatter and more interesting can you make those drops.
For a producer, you want to be in L.A. You want to be close to the action, and in L.A. there are always singers, artists, songwriters, collaborators and other producers. It's easy to get access to all that, which gives you more opportunity to work records.
I started using a raft at my shows in 2009, and in 2011, I started caking people.