Stephen King
Stephen King
Stephen Edwin Kingis an American author of contemporary horror, supernatural fiction, suspense, science fiction, and fantasy. His books have sold more than 350 million copies, many of which have been adapted into feature films, miniseries, television shows, and comic books. King has published 54 novels, including seven under the pen name Richard Bachman, and six non-fiction books. He has written nearly 200 short stories, most of which have been collected in book collections. Many of his stories are set in...
ProfessionNovelist
Date of Birth21 September 1947
CityPortland, ME
If you don't have time to read, then you have more time to write. Simple as that.
I’m not particularly keen on writing which exhaustively describes the physical characteristics of the people in the story and what they’re wearing… I can always get a J. Crew catalogue… …So spare me, if you please, the hero’s ‘sharply intelligent blue eyes’ and ‘outthrust determined chin’.
When you sit down to write, write. Don't do anything else except go to the bathroom, and only do that if it absolutely cannot be put off.
It starts with this: put your desk in the corner, and every time you sit down there to write, remind yourself why it isn't in the middle of the room. Life isn't a support system for art. It's the other way around.
You learned to accept, or you ended up in a small room writing letters home with Crayolas.
What is writing? Writing is telepathy.
When you write you tell yourself a story. When you rewrite you take out everything that is NOT the story.
The idea for each of the stories in this book came in a moment of belief and was written in a burst of faith, happiness, and optimism. Those positive feelings have their dark analogues, however, and the fear of failure is a long way from the worst of them. The worst - for me, at least - is the gnawing speculation that I may have already said everything that I have to say, and am now only listening to the steady quacking of my own voice because the silence when it stops is just too spooky.
The story is the only thing that's important. Everything else will take care of itself. It's like what bowlers say. You hear writers talk about character or theme or mood or mode or tense or person. But bowlers say, if you make the spares, the strikes will take care of themselves. If you can tell a story, everything else becomes possible. But without story, nothing is possible, because nobody wants to hear about your sensitive characters if there's nothing happening in the story. And the same is true with mood. Story is the only thing that's important.
For me, good description usually consists of a few well-chosen details that will stand for everything else.
I would say plotting is the most difficult thing for me. Characterization is only hard because sometimes I feel I get so interested in it that I want to talk too much about the characters and that slows the story down. So I say, "Hey, people want to find out what's going to happen next, they don't want to listen to you spout off about this or that person." But I think even the bad guy deserves to tell his side of the story.
When you start, it's very cold, an impossible task. But then maybe the characters start to take on a little bit of life, or the story takes a turn that you don't expect ... With me that happens a lot because I don't outline, I just have a vague notion. So it's always felt like less of a made thing and more of a found thing. That's exciting. That's a thrill.
If I can get it down on paper without puking all over the word processor, then as far as I'm concerned, it's fit to see the light of day.
I started to submit when I was twelve, and obviously at that time they weren't good enough, and I suppose in my heart of hearts I knew it. But you have to start sooner or later, you have to dig in.