Stephen Graham Jones
Stephen Graham Jones
Stephen Graham Jones is a Blackfeet Native American author of experimental fiction, horror fiction, crime fiction, and science fiction. He shares a fan base with fellow authors Will Christopher Baer and Craig Clevenger known as "The Velvet"...
NationalityAmerican
ProfessionAuthor
CountryUnited States of America
ellen mind opened running saved wonderful
When Ellen Datlow was running the fiction at 'Omni' in the late '80s and into the '90s, I had a subscription. It was one of two subscriptions I'd saved for, the other being 'Spider-Man.' And they each opened my mind and my heart in wonderful ways.
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You have to want the haunted house to scare you. It completely steals your money to go through with one of those people who shrug it all off, who touch the monsters' faces to show they're fake.
stake
With slow-moving zombies, what always comes at stake is our humanity.
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Vampires have become tragic or romantic figures. Vampire are largely seduction tales. They're no longer the scary creature in the dark.
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Every time I lock my people in a spacecraft or land them on an asteroid, the blood wells up again, and I'm writing horror. Horror's my default setting. It's also where I prefer to write.
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We watch a romantic comedy because we want to cry, say, or an action movie so we can participate in heroics. Horror's different. It can hit you with a moment of revulsion so hard you might want to erase the last five minutes of your life, please.
behind books bring hall looked onto opened reader uncle walked wall
When I was twelve, Uncle Randall looked up long enough to see that I was a reader as well, so he walked me down his hall to a linen-closet door and opened it up onto a wall of paperbacks. There were books behind books, as deep in as I could reach. He told me to take three, and when I was done, bring them back and take three more.
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We tell ourselves zombie stories to remind us we shouldn't live beyond the natural boundaries of life - or seek a third stage of life in this world.
actual human solve
Most zombie stories, the problems they solve are not the actual zombies. The problems they solve are the human interactions.
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My uncle Randall always had a book in his hand. He read in the car, he read at restaurants, he read when you were talking to him. He read lots of different things, but mostly it was Louis L'Amour's westerns and contemporary thrillers.
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Neal Stephenson handles exposition better than anybody else. I keep trying to learn his tricks, but every time I duck into his pages, I get lost in the stories all over again and forget that I'm a writer.
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Making people laugh is so much more difficult than making them sad. Too much fiction defaults to the somber, the tragic. This is because sad endings are easy in comparison - happy endings aren't at all simple to earn, especially when writing to an audience jaded by them.
america
I think America would do anything through a drive-through.
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Jeans and sneakers are definitely best for the haunted house. They usually won't let you in with a mask, even. It makes sense. They need to be able to tell who the rubes are. And, sneakers are good because the ground's uneven, and you're running and falling and stepping on the slower of your friends.