Stephen Chbosky

Stephen Chbosky
Stephen Chboskyis an American novelist, screenwriter, and film director best known for writing The New York Times bestselling coming-of-age novel The Perks of Being a Wallflower, as well as for screenwriting and directing the film version of the same book, starring Logan Lerman, Emma Watson, and Ezra Miller. He also wrote the screenplay for the 2005 film Rent, and was co-creator, executive producer, and writer of the CBS television series Jericho, which began airing in 2006...
NationalityAmerican
ProfessionNovelist
Date of Birth25 January 1970
CityPittsburgh, PA
CountryUnited States of America
'Harold and Maude' was a seminal movie for me because it's not only a beautiful love story, but it's also about the moment when misfits find each other.
Patrick started driving really fast, and just before we got to the tunnel. Sam stood up, and the wind turned her dress into ocean waves. When we hit the tunnel, all the sound got scooped up into a vacuum, and it was replaced by a song on the tape player. A beautiful song called “Landslide.” When we got out of the tunnel, Sam screamed this really fun scream, and there it was. Downtown. Lights on buildings and everything that makes you wonder. Sam sat down and started laughing. Patrick started laughing. I started laughing. And in that moment, I swear we were infinite.
calls her beautiful, but she cannot hear...
The fact that one of these ladies was my mom made me particularly sad because my mom is beautiful. And she’s always on a diet. Sometimes, my dad calls her beautiful, but she cannot hear him.
there is this one photograph... that is just beautiful. it would be impossible to describe how beautiful it is, but i’ll try. if you listen to the song “asleep,” and you think about those pretty weather days that make you remember things, and you think about the prettiest eyes you’ve known, and you cry and the person holds you back, then i think you will see the photograph.
It's like he would take a photograph of Sam, and the photograph would be beautiful. And he would think that the reason the photograph was beautiful was because of how he took it. If I took it, I would know that the only reason it's beautiful is because of Sam. I just think it's bad when a boy looks at a girl and thinks that the way he sees the girl is better then the girl actually is. And I think it's bad when the most honest way a boy can look at a girl is through a camera. It's very hard for me to see Sam feel better about herself just because a boy sees her that way.
Personally, I like to think my brother is having a college experience like they do in the movies. I don't mean the big fraternity party kind of movie. More like the movie where the guy meets a smart girl who wears a lot of sweaters and drinks cocoa. They talk about books and issues and kiss in the rain. I think something like that would be very good for him, especially if the girl were unconventionally beautiful. They are the best kind of girls, I think. I personally find 'super models' strange. I don't know why this is.
I used to listen to it all the time when I was little and thinking about grown-up things. I would go to my bedroom window and stare at my reflection in the glass and the trees behind it and just listen to the song for hours. I decided then that when I met someone I thought was as beautiful as the song, I should give it to that person. And I didn’t mean beautiful on the outside. I meant beautiful in all ways.
Harold and Maude' was a seminal movie for me because it's not only a beautiful love story, but it's also about the moment when misfits find each other.
The most beautiful surprise is that you have these moments where you connect with people on a deep level without saying a word. It's one of those wonderful things that you get what you give, and I'm grateful for it.
I want to be an author/director and I'm writing my second book now and I want to make a movie of it, and I hope I get to do this for the rest of my life.
'Rent' was wonderful in that I was able to adapt something that was beloved to fans, something that was very iconic, but something I had nothing to do with the creation of, so I was very removed. 'Perks' is different because it was my book.
'Rent' was a special project for me. It was my first notable screenplay job. I worked with two wonderful directors on it, starting with Spike Lee in the summer of 2001. I wrote a draft for Spike and he was really good to me.
Maybe it’s sad that these are now memories. And maybe it’s not sad.