Sophie Hannah
Sophie Hannah
Sophie Hannahis a British poet and novelist. From 1997 to 1999 she was Fellow Commoner in Creative Arts at Trinity College, Cambridge and between 1999 and 2001 a junior research fellow of Wolfson College, Oxford. She lives with her husband and two children in Cambridge...
NationalityBritish
ProfessionPoet
contain dead highly impossible meticulous novels opening seeds structure
My crime novels are highly structured. I never start out with a dead body. I start with an impossible scenario. Opening questions should be mysterious, weird, intriguing, and contain the seeds of the solution. The structure has to be meticulous - I'm a structure freak.
fellowship flat letter manchester offering secretary
I was working as a secretary in Manchester and thought I would always do that. Then I got this letter offering me a two-year fellowship where I could write; they would pay me a salary and give me a flat to live in. It was heaven.
Only Agatha Christie can write like Agatha Christie.
Crime fiction is a way of satisfying that nosy need to know.
enjoying fulfilled wish women
A lot of women feel like they should be enjoying motherhood, they should be fulfilled and shouldn't be thinking, 'I wish I didn't have to do this.'
committing explore jealousy motives people rational reasons state whereas
I want my books to explore motives which make people think, 'Wow! Imagine the psychological state you'd have to be in for that to be your motive!' Whereas things like blackmail, jealousy - they're rational reasons for committing murder.
abnormal characters few life
My characters all have issues, but I don't see that as weird or abnormal because I think in real life there are very few bland, normal people.
contented incredibly kinds modes warped
I am actually incredibly contented and jolly. But, and I have no idea why this is, I have a really strong empathy with all kinds of warped and destructive modes of thinking. I don't know why, but those things co-exist.
damage equipped knew might onto
If we knew more about psychology, we would be better equipped to deal with other people's psychological damage which they might project onto us.
Just because someone has stylistic limitations doesn't necessarily make them a worse writer.
books carry emerging few literary mystery novel obviously proper snobby start
I'm snobby about books that aren't crime fiction: if I start reading a literary novel and there's no mystery emerging in the first few pages, I'm like, 'Gah, this obviously isn't a proper book. Why would I want to carry on reading it?'
bad depended entertain life performance somebody trying upsetting
With me, even if my life depended on it, I wouldn't be able to cry. Not with somebody there. Because even if I'm talking about bad and upsetting things, if there is somebody else in the room, I am trying to entertain them. If there is somebody there, I am in performance mode. I can only cry if I am on my own.
writing thinking mafia
I never write about CIA conspiracies or the FBI or mafia or anything like that because I just dont understand that world. But I think I do understand individual human harmfulness.
strong hurt people
Weak people always attack strong people - it's safer. It's weak people who are dangerous, who lash out uncontrollably and hurt you back. Stong people can walk away - no repercussions, you see, if you attack a stong person.