Slavoj Zizek

Slavoj Zizek
Slavoj Žižek; born 21 March 1949) is a Slovenian psychoanalytic philosopher, cultural critic, and Hegelian Marxist. He is a senior researcher at the Institute for Sociology and Philosophy at the University of Ljubljana, Global Distinguished Professor of German at New York University, and international director of the Birkbeck Institute for the Humanities of the University of London. His work is located at the intersection of a range of subjects, including continental philosophy, political theory, cultural studies, psychoanalysis, film criticism, and...
ProfessionPhilosopher
Date of Birth21 March 1949
I planted some jokes in my wedding. Like, the organizers asked me to select music. So when I approached wife at the ceremony, they played the second movement from Shostakovich's 10th Symphony, which is usually known as the "portrait of Stalin." And then when we embraced, the music that they played was Schubert's "Death and the Maiden." I enjoyed this in a childish way! But marriage was all a nightmare and so on and so on.
Global capitalism is simply accepted as a fact that you cannot do anything about. The only question is, Will you accommodate yourself to it, or will you be dismissed and excluded?
When I really love someone, I can only show it by making aggressive and bad-taste remarks.
My big fear is that if I act the way I am, people will notice that there is nothing to see. So I have to be active all the time, covering up.
As soon as we renounce fiction and illusion, we lose reality itself; the moment we subtract fictions from reality, reality itself loses its discursive-logical consistency.
Humanity is OK, but 99% of people are boring idiots.
The problem with kitsch is that it is all too profound, manipulating deep libidinal and ideological forces, while true art knows how to remain at the surface, how to subtract it's subject from it's deepest context of historical reality. The same goes for contemporary art, where we often encounter brutal attempts to return to the Real, to remind the spectator or reader that he is perceiving a fiction, to awaken him from a sweet dream.
Often, the worst way to become prisoner of a system is to have a dream that things may turn better, there is always the possibility of change. Because it is precisely this secret dream that keeps you enslaved to the system.
A German officer visited Picasso in his Paris studio during the Second World War. There he saw Guernica and, shocked at the modernist «chaos» of the painting, asked Picasso: «Did you do this?» Picasso calmly replied: «No, you did this!»
For me, Stalinism was even a greater philosophical problem than Nazism. Under Nazism, if you were a Jew, you were simply killed, no questions asked, you had nothing to prove. Under Stalinism, of course, most [victims] were on trial for false accusations; most of them were not traitors. There is one interesting feature: that they were tortured or through some kind of blackmail forced to confess to being traitors.
The ultimate lesson of The Interpretation of Dreams: reality is for those who cannot sustain the dream.
For the multiculturalist, white Anglo-Saxon Protestants are prohibited, Italians and Irish get a little respect, blacks are good, native Americans are even better. The further away we go, the more they deserve respect. This is a kind of inverted, patronising respect that puts everyone at a distance.
IDEOLOGY IS A CERTAIN UNIQUE EXPERIENCE OF THE UNIVERSE AND YOUR PLACE IN IT, TO PUT IT IN STANDARD TERMS, WHICH SERVES THE PRODUCTION OF THE EXISTING POWER RELATIONS AND BLAH BLAH BLAH.
The only ‘realistic’ prospect is to ground a new political universality by opting for the impossible, fully assuming the place of the exception, with no taboos, no a priori norms (‘human rights,’ ‘democracy’), respect for which would prevent us from ‘resignifying’ terror, the ruthless exercise of power, the spirit of sacrifice … if this radical choice is decried by some bleeding-heart liberals as Linksfaschismus, so be it!