Simon McBurney
Simon McBurney
Simon Montagu McBurney, OBE is an English actor, writer and director. He is the founder and artistic director of the Théâtre de Complicité, London. He has had roles in the films The Manchurian Candidate, Friends with Money, The Golden Compass, The Duchess, Robin Hood, Harry Potter and the Deathly Hallows: Part 1, Tinker Tailor Soldier Spy, Magic in the Moonlight, The Theory of Everything and Mission: Impossible – Rogue Nation...
NationalityEnglish
ProfessionActor
Date of Birth25 August 1957
million time
In 1600, Shakespeare's London was a city of 200,000 people. At the same time, there were already over a million in Tokyo.
britain call french interested mean people says visual
In France, they call the people who come to the theatre 'les spectateurs'; in Britain and Ireland, they are the audience, the people who listen. This does not mean the French are not interested in language. On the contrary. It actually says more about the undeveloped visual sense over here.
hard
In Japan, sometimes it's hard to know what you are looking at.
attracted deal opens
I'm naturally attracted to something I don't understand because when you try to deal with something you don't understand, it opens a door into another world.
art exists form
Theatre is the art form of the present: it exists only in the present, and then it's gone.
call collective driven fragment matter might movement music subject text theatre
Theatre is about the collective imagination... Everything I use on-stage is driven by the subject matter and what you might call the text - but that text can be anything, from a fragment of movement or music to something you see on a TV.
absolute attempt existed physical push single
I try to push a single idea to its absolute limit. So for all of those ideas that existed in the story, you attempt to find a physical realisation in the space.
decide element gives life narrative reflect
'Endgame' resists narrative and even thematic explanation. How you play it has to reflect this. If you decide something too much in advance, you forget the element that gives the play life - the audience.
close death people purely various
I've had various people close to me die, and I don't necessarily find the idea of death purely depressing.
music musical passionate
I'm passionate about music, and I feel that theatre has an extraordinarily musical ability in the way it operates on the audience.
bad kid mathematics worked
I was very bad at mathematics in school, and I always had the feeling as a kid that when I worked on problems, that I would be wrong.
I was keen to stage 'Faust,' although I find Goethe's 'Faust' indigestible.
experience intensity interested provides suppose
I suppose I'm really interested in theatre that provides an intensity of experience on another level.
brought felt home
I have always felt more at home in a culture that has nothing to do with the one I was born and brought up in.