Simon McBurney
Simon McBurney
Simon Montagu McBurney, OBE is an English actor, writer and director. He is the founder and artistic director of the Théâtre de Complicité, London. He has had roles in the films The Manchurian Candidate, Friends with Money, The Golden Compass, The Duchess, Robin Hood, Harry Potter and the Deathly Hallows: Part 1, Tinker Tailor Soldier Spy, Magic in the Moonlight, The Theory of Everything and Mission: Impossible – Rogue Nation...
NationalityEnglish
ProfessionActor
Date of Birth25 August 1957
art relationship science
For some years, I've been very interested in the relationship between science and art.
art cave closed discovery earliest haunted inside known projected quite since site
Haunted since the day its discovery was projected all over the world in 1994, I, like many others, have always wanted to see inside the Chauvet cave, site of the world's earliest known cave art. Quite rightly, we will never go. It is closed to the public.
art exists form
Theatre is the art form of the present: it exists only in the present, and then it's gone.
arthur artistic deeply embedded met psyche
When I met Miller, for me it wasn't a question of wanting to meet him because it was Arthur Miller; it was a kind of astonishment that I could meet someone who was so deeply embedded in the psyche of my artistic development.
art cloud creating function layer might perhaps pierce
So you might say, 'Why do you end up making theatre in a world in which there is already too much of that? Creating layer upon layer of artifice?' Perhaps the function is to pierce through that cloud and show reality - so the function of art is to make things - to show: 'Hang on, this is real.'
writing artist theatre
One of the things he liked about playwriting as to any other kind of writing is that a playwright is a w-r-i-g-h-t, not a w-r-i-t-e; in other words, that a playwright is more of a craftsman than an artist of the big novel.
mean artist theatre
Theatre artists are essentially sort of charlatans and thieves, I mean that's the tradition that we come from, so I have absolutely no, I make no bones about the fact that I steal from here and I take from there, and we all do it, that's perfectly all right, that's the nothing, there's nothing new in the world, there's nothing actually new in the way that you do something, but the point is is how do you take something and use it to articulate what is essentially a core of any given theatrical production.
instead projected says written
I sometimes feel I would like to do crazy things with 'Endgame,' where someone says something, but the words, instead of being spoken, are written words projected out of their mouth.
beautiful constantly fires follow opera singers sort touching unlike whatever willing
The very beautiful and very touching thing about opera singers is they are very willing to do whatever you want. Unlike actors, who constantly want to know why they're doing something, opera singers will sort of follow you into the fires of hell.
decide element gives life narrative reflect
'Endgame' resists narrative and even thematic explanation. How you play it has to reflect this. If you decide something too much in advance, you forget the element that gives the play life - the audience.
asks beckett hopeful strips surgical
There's something hopeful about 'Endgame.' Beckett strips everything away and asks what remains. There's this surgical dissection of the soul, but at the bottom, you find shafts of light.
close death people purely various
I've had various people close to me die, and I don't necessarily find the idea of death purely depressing.
music musical passionate
I'm passionate about music, and I feel that theatre has an extraordinarily musical ability in the way it operates on the audience.
bad kid mathematics worked
I was very bad at mathematics in school, and I always had the feeling as a kid that when I worked on problems, that I would be wrong.