Shepard Fairey
Shepard Fairey
Frank Shepard Faireyis an American contemporary street artist, graphic designer, activist, illustrator and founder of OBEY Clothing who emerged from the skateboarding scene. He first became known for his "Andre the Giant Has a Posse"sticker campaign while attending the Rhode Island School of Design, which appropriated images from the comedic supermarket tabloid Weekly World News...
NationalityAmerican
ProfessionGraphic Designer
Date of Birth15 February 1970
CityCharleston, SC
CountryUnited States of America
If the idea that my safety can only be enhanced by putting other people's privacy and safety in danger, then I don't want to be more safe.
I think "punk" should really be defined as paving your own way creatively and by defying any sort of orthodoxy or commercial pressure.
I think the Internet has definitely made it easier for people to have stuff seen, but it's also encouraged a level of ADD, where you see so much that if it doesn't make an impact on you immediately, you don't look at it.
What excites me is that, when things are tough, people become resourceful, and now with the Internet, social networking and the ability for people who in the past had been relatively powerless, they have tools to be able to spread ideas and organize. The urgency is there and the tools are there and I think that the possibility for really, really powerful results is there. I think it's all brewing, it's all bubbling up right now.
I think that the influence of people with power and money to distort democracy and have their interests served before the rest of the population is the biggest problem. That is caused by two things: campaign finance and the way that's structured, and by the Citizen's United supreme court decision. So those two things are keeping democracy from working right.
I said, ok, I'll pay the licensing fee it. And [the AP] said, no, we want to claim damages. I said damages? Because of my poster the Mannie Garcia picture is now worth more than it ever would have been.
The Internet wasn't even an option for me, so one of the reasons I was so motivated to do street art was because there was no other outlet. Maybe if the Internet had been around then, I would have tried to do stuff that went viral and was clever and got me a lot of hits.
When it comes to the street-art world, there are a lot of people who realize if they go out and put up a few pieces of street art and photograph them really well, even if their locations weren't actually that high-profile or dangerous, with the level of exposure they get from the Internet, with a large audience, they can maintain that rebel cache by having it be theoretically documented street art.
I wear some of my stuff, but usually the less in-your-face designs. I get a little self conscious, there is a fine line between pride and ego.
I love the classic trucker jacket as an icon of rock 'n' roll and rebellion.
The world has lost a great musician who will always be an inspiration to me and those at OBEY GIANT.
MY INSPIRATION FOR THIS LIMITED EDITION DESIGN WAS BASED ON THE LEGACY OF HENNESSY AS A BRAND. TO ME, HENNESSY HAS ALWAYS BEEN ABOUT QUALITY, AUTHENTICITY, TRADITION, AND ELEGANCE.
I think the biggest thing that people fear when it comes to art becoming a business is those authentic, pure aspirations of art being compromised.
If you're creating something that has some sort of cultural currency - if the idea is getting out there - then that will probably yield money in some form, whether it's through selling art or selling books or being asked to give a lecture.