Shana Alexander

Shana Alexander
Shana Alexanderwas an American journalist. Although she became the first woman staff writer and columnist for Life magazine, she was best known for her participation in the "Point-Counterpoint" debate segments of 60 Minutes with conservative James J. Kilpatrick. She was a daughter of Tin Pan Alley composer Milton Ager, who composed the song "Happy Days Are Here Again", and his wife, columnist Cecelia Ager...
NationalityAmerican
ProfessionJournalist
Date of Birth6 October 1925
CountryUnited States of America
As a general rule, fans and idols should always be kept at arm's length, the length of the arm to be proportionate to the degree of sheer idolatry involved. Don't take a Beatle to lunch. Don't wait up to see if the Easter Bunny is real. Just enjoy the egg hunt.
Mind and body are not to be taken lightly. Their connection is intimate and mysterious, and better mapped by poets than pornographers.
Ireland is not at all a simple place, and in many ways it is spare and sad. It has no wealth, no power, no stability, no influence, no fashion, no size. Its only real arts are song and drama and poem. But Limerick alone has two thousand ruined castles and surely that many practicing poets.
Rumor and gossip, like sound itself, appear to travel by wave-effect, sheer preposterosity being no barrier.
Natural villains are hard to come by, what with all the shrinks and social-scientist types threatening to understand everybody into the ground ...
The real trouble with the doctor image in America is that it has been grayed by the image of the doctor-as-businessman, the doctor-as-bureaucrat, the doctor-as-medical-robot, and the doctor-as-terrified-victim-of-malpractice-suits.
the metabolism of a consumer society requires it continually to eat and excrete, every day throwing itself away in plastic bags.
I reserve my greatest admiration for those who continue to struggle to embrace the whole impossible tangle of snakes that is our society; those who fight to identify and strengthen human connections, and defeat polarizing forces that strain to drive us apart.
The Federal Building's large Ceremonial Courtroom, reserved for show trials, is veneered in executive teak. Bench, counsel tables, jury boxes, entrances, and exits -- all are as formally arranged as an Elizabethan stage. Only the drama is shapeless, at least to those of us who have never seen a trial before. We see only random movements, sequences, comings and goings, no form or agenda apparent. To us the action is less like watching a play than watching an aquarium.
Ours is the first society in history in which parents expect to learn from their children, rather than the other way around. Such a topsy-turvy situation has come about at least in part because, unlike the rest of the world, we are an immigrant society, and for immigrants the only hope is in the kids.
The rich plankton of pop heroes and pop villains on which we Americans are accustomed to feed, the daily media soup of sports figures, ax murderers, politicians, and rock singers, the ever-running river of celebs, heavies, and oddballs that we use to spice up our own relatively humdrum lives has of late become a very watery gruel. Where have all the good guys and bad guys gone? Why does everyone out there look so gray?
Californians tend to be outspoken. When the great migration began, the more timid people must have stayed home, and the bolder ones headed west.
In a nation of celebrity worshipers, amid followers of the cult of personality, individual modesty becomes a heroic quality. I find heroism in the acceptance of anonymity, in the studied resistance to the normal American tropism toward the limelight.
This is what holidays, travels, vacations are about. It is not really rest or even leisure we chase. We strain to renew our capacity for wonder to shock ourselves into astonishment once again.