Scott M. Gimple
Scott M. Gimple
Scott Milhouse Gimple is a writer for both comics and television. He is most well-known for his work as a writer and producer for Fillmore!, Life, FlashForward, Chase, and The Walking Dead...
NationalityAmerican
ProfessionWriter
CountryUnited States of America
episode people typical
I don't want there to be a typical episode of 'The Walking Dead.' I want to try to give people different things every week because that's what I dig.
against along beings certain die hold horrible horribly odds portraying trying wonderful
I think portraying human beings trying to hold on to their humanity against pretty much certain odds that they'll die horribly in some way someday, and that they'll face horrible things along the way, I don't know - I think that's a beautiful thing. It's a wonderful thing.
finished levels lots shows writers written
Lots of shows are written completely in the writer's room. And I wouldn't say 'The Walking Dead' is that way. There are three levels to it. There's us in the room. The writers going off by themselves. And me working with the writers on a finished script.
great managing number people time walking
On every show I've been on, it's just managing all the different responsibilities and time management. 'The Walking Dead' is a really well-oiled machine, and I have a great number of people who do a great number of things very well.
amount gonna maybe movies starting time weird year
It's gonna be weird how there are going to be new 'Star Wars' movies every year starting in 2015. I don't know what that's going to be like, having one every year. Maybe it'll be perfect. Maybe it'll be just the right amount of time to have something to look forward to. Maybe it'll be too many at once.
barn best episode execution girl happening horrific people proud proudest stuff walk walking zombie
When 'The Walking Dead' has been its best, all that stuff is happening at once: the emotion, action, horror, scares. I'm very proud that I was able to write an episode where a little zombie girl could walk out of a barn after a horrific zombie execution and have people cry. That's one of the proudest things I've ever done.
characters eight evolving itself love stay
The most interesting thing to me is that 'The Walking Dead' is a show that reinvents itself every eight episodes. It's an evolving landscape. There are characters that die. There are characters that stay on. There are characters that go away. I love that.
dead episodes lucky work worked
I actually come from comics, and I'm big on comics. I was reading 'Walking Dead' from the beginning. Then just being on the show, I was really lucky to work on episodes like 'Pretty Much Dead Already' and 'Clear.' I worked a lot on episodes that I didn't write.
book comic love lucky material reader remain serve source viewer walking
I'm very lucky that I started out as a reader of the comic book and a viewer of the show. And I try to remain that, and make 'The Walking Dead' that I love watching. Luckily, I have the source material that I love, and I want to serve that as well.
avid continue exciting fan huge side thrilled tradition
I'm thrilled to continue the tradition of the spectacular, cinematic, horrifying, exciting and emotional storytelling of 'The Walking Dead.' I'm a huge fan of the comics, and started with the show on the other side of the set, as an avid viewer.
people support want
There's a lot of unexpected things. Wonderful things, tough things, but there's always somebody just ready to pitch in. That's probably the heaviest thing, the constant amount of support because it makes you just want to do even better. It makes you want to do stuff for the fans, makes you want to do stuff for the people on the show. I love it.
jobs helping fantastic
I have a great set of executive producers helping me out. I have a great cast and crew. AMC has been fantastic. I'd say it's everything I was doing before, just eighteen other jobs. I love it.
writing thinking long
I think ultimately it's just time management. You're just doing a lot more stuff. You're doing the same stuff, you're writing and you're producing, but it just comes with a lot of other things. A lot of long term thinking and plotting things out for the future, bringing elements together. I have a lot of support.
character writing thinking
You lose somebody you've possibly known for years and on top of that you lose a character that you love seeing on TV so I think that kind of makes it cool that we pay a price too. That it is painful on many levels and its amazing to be writing that moment and crossing that line right on the page and seeing the ugliness of it and having to deal with it. It's a very weird thing.