Scott Aukerman
Scott Aukerman
Scott Aukermanis an American writer, actor, comedian, television personality, director, producer, and podcast host. Starting as a writer and performer in the later seasons of the sketch series Mr. Show, Aukerman is best known as the host of the weekly comedy podcast Comedy Bang! Bang! as well as the IFC original television series of the same name. Aukerman is the co-creator of Between Two Ferns with Zach Galifianakis and co-founder of the Earwolf podcast network...
NationalityAmerican
ProfessionScreenwriter
Date of Birth2 July 1970
CitySavannah, GA
CountryUnited States of America
The big problem in translating is that we had to translate the language. People may not know that we record the podcast in Japanese, translate it to English and then actors play us on the podcast. I'm not actually Scott Aukerman, I'm the actor who plays his voice on the podcast. Unfortunately, it's cost prohibitive on a television show.
I came to one of the first Comic Cons in 1985, when it was just people trading back issues of comic books.
Comedy is really best when watched with other people, and I don't really understand people who sit at home watching comedy movies on Netflix.
The best sketch shows are from a group of tight-knit people who've worked together for a really long time.
I was a standup comic, which doesn't necessarily mean you interact with people all that much. In fact when I did shows, I wouldn't talk to the audience very much. Then my friend offered me a radio show, and I thought, you know, I'll try talking to people and see what kind of interviewer I was.
We like to keep the show small. Honestly, where we moved the show to the UCB theater, we moved it to a smaller space. Even though the show has technically gotten more popular. And that is, only because we like intimacy and the ability to experiment more. We don't want to be like, "We can get 250 people in a week. So let's do that. But we have to be careful about who we book..."
Others may dispute this, we have tried to keep that sense of experimentation and putting new people up alive. And we haven't become a show, where we're like, "We know the 20 comics who are good and we're just going to keep on recycling them."
You have to pay your dues. And what's nice, after booking a lot of new people... I counted the other day. We're in September and we've already booked between 30 or 40 people who've never done the show before.
Each week we usually have one person who's never done the show before. Last year we had close to 60 who'd never done the show before. We're constantly booking new people, sometimes to the consternation of people who live here who do the show regularly.
But the great thing about shows now is since we've been doing (Comedy Death Ray), they have lightened up on their booking policies a bit more and are booking somebody who isn't famous and who hasn't been around ten years. It's great to see people who've done our show - the first big show they've ever done - now they can play around town.
And that's the thing about our show: what are they going to do put on the poster? I don't know. It's always easier when you have someone like Cedric the Entertainer where you can go, "You know this guy. You love this guy. Watch his sketch show." And then people tune in and go, "I though I knew that guy. I don't love that guy in a sketch show."
The best sketch shows are from a group of tight-knit people whove worked together for a really long time.
You see people who are disenfranchised elsewhere coming to Comic Con and making lifetime friends. I love seeing the outcasts of society all bonding together.
So much of comedy is feeling comfortable with the point of view coming at you. So I understand it. There's people who I find hilarious now, but the first couple of times I saw 'em, I was like "What is this? I don't get it at all."