Sarah Will
Sarah Will
Sarah Will is a paralympic skier who spent 11 years on the U.S. Disabled Ski Team. During this time, she earned a record 13 medalswhile competing in four Winter Paralympic Games between 1992 and 2002. Will serves as a ski instructor and is otherwise active in the Vail community. She was named to the United States Olympic Hall of Fame in July 2009 and is a nominee for the U.S. Ski and Snowboard Hall of Fame...
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. . . we never worked for white people in their homes. No, sir, not even once! That is one of the accomplishments in my life of which I am the most proud, yes, sir!
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We'll apply for more funding in June. This part will complete the downtown survey. We'll find where all the utilities are currently located with the survey.
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I will continue to base out of Laramie. But I'll pursue skiing and biathlon at an international level for at least one more year after the Olympics. I feel like I am still improving, so I am not ready to hang up the skis yet.
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I will also say that there's a kind of aura around young male writers, say age 26, the hot male writer thing that never surrounds women playwrights. And there's a tremendous irony there, because the playwrights most interesting to read and see now, the ones who are really pushing the work forward aesthetically, are almost all women.
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I was mad about the theatre growing up, really mad. We had a local theatre, the Torch, and I used to usher there. I would see the shows over and over again.
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I was just trying to stay calm and have fun and not get wrapped up in the fact that this was my first tournament.
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I think the stage is set for a great meet next Friday.
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It is always good to have the class under your belt if you want to volunteer. Our disaster team in the Kings Bay area is very small and we need as many volunteers as we can get to sign up. We need people who want to help out their neighbors in case a disaster strikes here at home.
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I think there is a debate in the arts about, you know, whether we must strive for art for art's sake, and you know, kind of try to keep political debate out of our work. And to that I say, I'd like you to show me an example of, you know, this so-called apolitical art. I don't think there's any such thing.
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I think there is something so compelling about the truth that whether you're a lawyer or judge or an actor, when you get at that truth, it connects with people on a particular level that I think makes your art more viable.
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I think the reason we're successful is that we complement each others' strengths and weaknesses.
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Japanese horror is different. It messes with your head.
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Kris sat in the truck when I went inside. Like I said, he had nothing to do with this.
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Last week, we didn't put the ball down and we tipped a lot, so it was easy for them to pass. This week we worked on hitting it hard and hitting it to certain players and to their holes.