Sarah Bernhardt
Sarah Bernhardt
Sarah Bernhardtwas a French stage and early film actress. She was referred to as "the most famous actress the world has ever known", and is regarded as one of the finest actors of all time. Bernhardt made her fame on the stages of France in the 1870s, at the beginning of the Belle Epoque period, and was soon in demand in Europe and the Americas. She developed a reputation as a sublime dramatic actress and tragedienne, earning the nickname "The...
NationalityFrench
ProfessionStage Actress
Date of Birth22 October 1844
CityParis, France
CountryFrance
What matters poverty? What matters anything to him who is enamoured of our art? Does he not carry in himself every joy and every beauty?
Permanent success cannot be achieved except by incessant intellectual labour, always inspired by the ideal.
He who is incapable of feeling strong passions, of being shaken by anger, of living in every sense of the word, will never be a good actor.
The dramatic art would appear to be rather a feminine art; it contains in itself all the artifices which belong to the province ofwoman: the desire to please, facility to express emotions and hide defects, and the faculty of assimilation which is the real essence of woman.
Art is not about something, Art is something
If I have a foreign accent—which I much regret—it is cosmopolitan, but not Teutonic. I am a daughter of the great Jewish race, and my somewhat uncultivated language is the outcome of our enforced wanderings.
The artist's personality must be left in his dressing-room; his soul must be denuded of its own sensations and clothed with the base or noble qualities he is called upon to exhibit.... [he] must leave behind him the cares and vexations of life, throw aside his personality for several hours, and move in the dream of another life, forgetting everything.
Alas, we are the victims of advertisement. Those who taste the joys and sorrows of fame when they have passed forty, know how to look after themselves. They know what is concealed beneath the flowers, and what the gossip, the calumnies, and the praise are worth. But as for those who win fame when they are twenty, they know nothing, and are caught up in the whirlpool.
Once the curtain is raised, the actor is ceases to belong to himself. He belongs to his character, to his author, to his public. He must do the impossible to identify himself with the first, not to betray the second, and not to disappoint the third.
[When asked at age 79 why her Paris apartment was located up many flights of stairs at the top of the building:] It's the only way I can still make the hearts of men beat faster.
We must live for the few who know and appreciate us, who judge and absolve us, and for whom we have the same affection and indulgence. The rest I look upon as a mere crowd, lively or sad, loyal or corrupt, from whom there is nothing to be expected but fleeting emotions, either pleasant or unpleasant, which leave no trace behind them.
You must have this charm to reach the pinnacle. It is made of everything and of nothing, the striving will, the look, the walk, the proportions of the body, the sound of the voice, the ease of the gestures. It is not at all necessary to be handsome or to be pretty; all that is needful is charm.
We ought to hate very rarely, as it is too fatiguing; remain indifferent to a great deal, forgive often and never forget.
It is by spending oneself that one becomes rich.