Sandra Cisneros
Sandra Cisneros
Sandra Cisnerosis an American writer best known for her acclaimed first novel The House on Mango Streetand her subsequent short story collection Woman Hollering Creek and Other Stories. Her work experiments with literary forms and investigates emerging subject positions, which Cisneros herself attributes to growing up in a context of cultural hybridity and economic inequality that endowed her with unique stories to tell. She is the recipient of numerous awards including a National Endowment for the Arts Fellowship, and is...
NationalityAmerican
ProfessionNovelist
Date of Birth20 December 1954
CityChicago, IL
CountryUnited States of America
You know, if you've got nine people that you've got to get a treat for - because you do have sweet food, even if you're poor - you can't go out and buy a Sara Lee cake. You buy the big bag of cookies, those chocolate and vanilla ones with the icing. That has a lot of trans fat in it, but it goes a long way with a lot of people.
When we started publishing, you had to be better than good. You had to be excellent. But as long as people are reading, I don't care what they're reading.
There [DreamTigers by Jorge Luis Borges] were these little fablesque things, you know, dream tigers, beautiful, beautiful pieces that when you read them had the power of a long piece, but they were prose, and they had the power of poetry, in that the last line wasn't the end, it was a reverberation, like when you tap on a glass made of crystal, and it goes ping.
I think that it's not enough to do the little Band-Aid things of having celebrities come and read to children. Not that we don't need to read to children, but we don't need to just do it one time and feel good about it. I think we need to think long range about poor people and their relationship to libraries.
I look at Thich Nhat Hanh and I look at Marshall Rosenberg, and they're more concerned about the long range. And that long range means that you have to sit down with people who don't think like you. I want to reach people who don't think like me.
Mom used to walk with me for something like two or three miles to get to the day-old bakery. They had those machines where you buy doughnuts, those vending machines with the long johns and doughnuts. We would buy those bagels and pastries because that was our treat. And come back with shopping bags of these sweets, and who knows what was in it? That was what we could afford that could feed that many people.
These stories celebrate what's at the heart of so many Latino success stories -- a desire to achieve and make a difference, ... Visitors to this Smithsonian exhibit will have the opportunity to learn about Latinos who have made varying but very important contributions to the American fabric.
At the time I was writing it, it started as my own memoirs but transformed into a piece of fiction. All the emotions are mine, the setting is mine, the house is mine. But the characters are a composite of my students' stories.
The good stories are what no one wants to talk about. So you make up a story because no one is going to tell you the truth.
The beauty of literature is you allow readers to see things through other people's eyes. All good books do this.
Well, I'm Buddhist, Ray, and so part of my Buddhism has allowed me to look a little more deeply at people and the events in my life that created me. And I think a lot of that Buddhism comes out in the world view in this novel.
I felt a failure because I couldn't sustain myself from what I earned from my writing. My day jobs were what mattered, and it was hard to even get those because universities wouldn't hire me as a real writer.
What's always a challenge for me is that my Spanish is not the level of my English. Nor do I read in Spanish the way I read in English.
My father never wanted me to be a writer. He didn't - he came to terms with it maybe two years before he died. He wanted me to be a weather girl because when I was growing up, there were very few Latinas on television, and in the early '70s when you first started seeing Latinas on TV, they would be the weather girls.