Samuel Taylor Coleridge
Samuel Taylor Coleridge
Samuel Taylor Coleridgewas an English poet, literary critic and philosopher who, with his friend William Wordsworth, was a founder of the Romantic Movement in England and a member of the Lake Poets. He wrote the poems The Rime of the Ancient Mariner and Kubla Khan, as well as the major prose work Biographia Literaria. His critical work, especially on Shakespeare, was highly influential, and he helped introduce German idealist philosophy to English-speaking culture. Coleridge coined many familiar words and phrases,...
NationalityEnglish
ProfessionPoet
Date of Birth21 October 1772
Wherever you find a sentence musically worded, of true rhythm and melody in the words, there is something deep and good in the meaning also.
Sublimity is Hebrew by birth.
...in consequence of the film of familiarity and selfish solicitude, we have eyes yet see not, ears that hear not, and hearts that neither feel nor understand.
The annals of the French Revolution prove that the knowledge of the few cannot counteract the ignorance of the many.... The light of philosophy, when it is confined to a small minority, points out the possessors as the victims rather than the illuminators of the multitude.
Carved with figures strange and sweet, All made out of the carver's brain.
It is saying less than the truth to affirm that an excellent book (and the remark holds almost equally good of a Raphael as of a Milton) is like a well-chosen and well-tended fruit tree. Its fruits are not of one season only. With the due and natural intervals, we may recur to it year after year, and it will supply the same nourishment and the same gratification, if only we ourselves return to it with the same healthful appetite.
Truths ... are too often considered as so true, that they lose all the power of truth, and lie bed-ridden in the dormitory of the soul, side by side with the most despised and exploded errors.
It has been observed before that images, however beautiful, though faithfully copied from nature, and as accurately represented in words, do not of themselves characterize the poet. They become proofs of original genius only as far as they are modified by a predominant passion; or by associated thoughts or images awakened by that passion; or when they have the effect of reducing multitude to unity, or succession to an instant; or lastly, when a human and intellectual life is transferred to them from the poet's spirit.
The genius of Coleridge is like a sunken treasure ship, and Coleridge a diver too timid and lazy to bring its riches to the surface.
The true key to the declension of the Roman empire which is not to be found in all Gibbon 's immense work may be stated in two words: the imperial character overlaying, and finally destroying, the national character. Rome under Trajan was an empire without a nation.
Where virtue is, sensibility is the ornament and becoming attire of virtue. On certain occasions it may almost be said to become virtue. But sensibility and all the amiable qualities may likewise become, and too often have become, the panders of vice and the instruments of seduction.
I shall attack Chemistry, like a Shark.
To admire on principle is the only way to imitate without loss of originality.
Not one man in a thousand has either strength of mind or goodness of heart to be an Atheist. I repeat it. Not one man in a thousand has either strength of mind or goodness of heart to be an Atheist.