Sam Shepard
Sam Shepard
Samuel Shepard Rogers III, known professionally as Sam Shepard, is an American playwright, actor, author, screenwriter, and director, whose body of work spans over half a century. He is the author of forty-four plays as well as several books of short stories, essays, and memoirs. Shepard received the Pulitzer Prize for Drama in 1979 for his play Buried Child. He was nominated for an Academy Award for Best Supporting Actor for his portrayal of pilot Chuck Yeager in The Right...
NationalityAmerican
ProfessionPlaywright
Date of Birth5 November 1943
CountryUnited States of America
I'm a great believer in chaos. I don't believe that you start with a formula and then you fulfill the formula. Chaos is a much better instigator, because we live in chaos - we don't live in a rigorous form.
My father had a real short fuse. He had a really tough life - had to support his mother and brothers at a very young age when his dad's farm collapsed. You could see his suffering, his terrible suffering, living a life that was disappointing and looking for another one. It was past frustration; it was anger.
I think a part of the reason that those early plays were short was that I just kept having these ideas, and I'd just go off and write them. I wasn't trying to write one-act plays - it's just how the ideas would be expressed. Every condition I was in seemed like it could be a play.
I'm still very much a believer in the spontaneity of certain kinds of writing. But then you have to eventually, when you're writing a long play, make adjustments along the way - all kinds of adjustments.
Writing for the theatre is so different to writing for anything else. Because what you write is eventually going to be spoken. That's why I think so many really powerful novelists can't write a play - because they don't understand that it's spoken - that it hits the air. They don't get that.
Writing for theatre is certainly different to writing an essay or any other kind of fiction or prose: it's physical. You're also telling a story, but sometimes the story isn't exactly what you intend; maybe you uncover something you had no idea you were going to uncover.
When I just sit around my house and work, I can work two, three hours, and then I go off and ride a horse or do something that I perceive to be a lot more fun.
When you write a play, you work out like a musician on a piece of music. You find all the rhythms and the melody and the harmonies and take them as they come.
My son, Walker, has a band called The Dust Busters. You know, he plays banjo, fiddle, guitar, and mandolin, so a lot of my interest in that kind of music comes from him constantly listening to this stuff. He's taught me the history of it. It's remarkable how these young kids are now turned on to more traditional old-time music.
I feel like the writers that I'm drawn to, the writers that I really cling to, are the writers who seem to be writing out of a desperate act. It's like their writing is part of a survival kit. Those are the writers that I just absolutely cherish and carry with me everywhere I go.
I'm not in demand. I'm all washed up.
I always thought the desert was the antithesis of peace - something that attacks you. So you don't go to the desert for peace.
You sometimes use the excuse, 'I'm a writer, dammit, I can do anything I want,' but that doesn't work.
Personality is everything that's false in a human: everything that's been added on to him and contrived.