Salman Rushdie
Salman Rushdie
Sir Ahmad Salman Rushdie, FRSL, احمد سلمان رشدی; born 19 June 1947) is a British Indian novelist and essayist. His second novel, Midnight's Children, won the Booker Prize in 1981. Much of his fiction is set on the Indian subcontinent. He combines magical realism with historical fiction; his work is concerned with the many connections, disruptions, and migrations between Eastern and Western civilizations...
NationalityIndian
ProfessionNovelist
Date of Birth19 June 1947
CityMumbai, India
CountryIndia
My grandmother was very fierce and gruff. She was quite small, but she was very wide.
Both are responsible. But I know when I write a book it's my name on the book, so I stand or fall by what I sign. And so must she.
I've been gradually reclaiming all kinds of freedoms over these years..,
I used to say: ''there is a God-shaped hole in me.'' For a long time I stressed the absence, the hole. Now I find it is the shape which has become more important.
A purpose of our lives is to broaden what we can understand and say and therefore be.
A poet's work is to name the unnamable, to point at frauds, to take sides, start arguments, shape the world, and stop it going to sleep.
Meanwhile, it seems, the world is suffering from compassion fatigue,
One of the strange things that happens when you publish a book is that you begin ... to see what resonances it has for the readers, ... Sometimes you begin to understand your book a bit more.
Life is fury, he'd thought. Fury sexual, Oedipal, political, magical, brutal drives us to our finest heights and coarsest depths. Out of furia comes creation, inspiration, originality, passion, but also violence, pain, pure unafraid destruction, the giving and receiving of blows from which we never recover. The Furies pursue us; Shiva dances his furious dance to create and also to destroy. But never mind about gods! Sara ranting at him represented the human spirit in its purest, least socialized form. This is what we are, what we civilize ourselves to disguise the terrifying human animal in us, the exalted, transcendent, self-destructive, untramelled lord of creation.
Many writers who have had to deal with the subject of atrocity can't face it head-on.
There'll be one track that I like and a lot of it that is just wallpaper and sounds the same.
It was because it was easier to blame me, ... You know, 'Why is he rocking the boat?' In those days there was a lot of that stuff. He was asking for it. He did it on purpose. He was begging for it. It was just conventional blaming-the-victim stuff. I don't like the term 'victim' when applied to myself. Certainly I felt the guilt burden had shifted from the people doing the violence to the person on the receiving end of the violence.
Always do something impossible right at the beginning of the show?. Swallow a sword, tie yourself in a knot, defy gravity. Do what the audience knows it could never do no matter how hard it tries. After that you'll have them eating out of your hand.
Writers shouldn't have lives that are interesting. It gets in the way of your work.