Said Sayrafiezadeh
Said Sayrafiezadeh
Saïd Sayrafiezadeh is an American memoirist and fiction writer living in New York City. He won a 2010 Whiting Award for his memoir, When Skateboards Will Be Free. His short-story collection, Brief Encounters With the Enemy, was short-listed for the 2014 PEN/Robert W. Bingham Prize for debut fiction. He serves on the board of directors for the New York Foundation for the Arts...
NationalityAmerican
ProfessionPlaywright
CountryUnited States of America
wake work
I wake when my wife wakes, at 7:30 A.M. I'd like to sleep longer, but she has to go off to work, and I'd be plagued with guilt.
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While writing my memoir, 'When Skateboards Will Be Free,' I would sometimes have to pore over hours of microfilm at the New York Public Library in order to try to get one obscure detail right. For instance, was the Socialist Workers Party originally called the American Workers Party or the Workers Party of the United States?
work
I work in the most non-Communist job. I work for 'Martha Stewart Living.'
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The year the bus drivers went on strike in Pittsburgh, I was twenty-three and living on the edge of the city in a neighborhood that was on the verge of becoming a ghetto. I had just been fired from a good job as a cartographer in a design studio where I had worked for about four months.
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More people work at Walmart than anywhere else in the United States, but you wouldn't know that from our literature. I'm trying to get at the reality of this country by portraying the lives of many of my friends who I left behind in Pittsburgh.
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I take pride in taking care of all the housework so that my wife, who works as a designer for Martha Stewart, won't need to sacrifice any of her leisure time when she gets home.
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There's always been something a little pathetic for me at the work parties I've attended, especially thinking back to the restaurants I worked in. I remember a Christmas party in which we all got free T-shirts with the restaurant on the front and our names on the back.
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The daily quota I've set for myself is 500 words or approximately a page and a half double-spaced. Which isn't much, except that I'm extremely slow, extremely meticulous. 'Le mot juste' haunts me. On a good day, I will finally secrete the 500th word at about 5 o'clock, and I'll reward myself by going to Housing Works Bookstore to read.
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In many ways I'm similar to Barack Obama, who also has a strange name but was raised by a white American mother. His background is far more complicated than his name would suggest. Furthermore, the fact that I was a child during the hostage crisis has caused me to equate being Iranian with being alienated.
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I was born in Brooklyn and raised in Pittsburgh. I've never been to Iran, I don't speak the language, and, probably most important of all, my Iranian father left home when I was nine months old. That's the extent of my connection to Iran.
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My childhood was defined by my father's absence. His presence looms so large. Up until the age of 18, he was a superstar for me.
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My characters are not underachievers; they aspire to great things, but they are limited by the world around them.
I feel more Jewish than I do Iranian.
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I suppose my Iranian identity is one of the driving forces for being a writer: I want to set the record straight about who I really am.