Roger Ebert
Roger Ebert
Roger Joseph Ebertwas an American film critic and historian, journalist, screenwriter, and author. He was a film critic for the Chicago Sun-Times from 1967 until his death in 2013. In 1975, Ebert became the first film critic to win the Pulitzer Prize for Criticism. As of 2010, his reviews were syndicated to more than 200 newspapers in the United States and abroad. Ebert also published more than 20 books and dozens of collected reviews...
NationalityAmerican
ProfessionJournalist
Date of Birth18 June 1942
CityUrbana, IL
CountryUnited States of America
We are poor mortals, but it dreams to us that we can fly.
To call it an anticlimax would be an insult not only to climaxes but to prefixes. It's a crummy secret, about one step up the ladder of narrative originality from It Was All a Dream. It's so witless, in fact, that when we do discover the secret, we want to rewind the film so we don't know the secret anymore. And then keep on rewinding, and rewinding, until we're back at the beginning, and can get up from our seats and walk backward out of the theater and go down the up escalator and watch the money spring from the cash register into our pockets.
You slide down in your seat and make yourself comfortable. On the screen in front of you, the movie image appears—enormous and overwhelming. If the movie is a good one, you allow yourself to be absorbed in its fantasy, and its dreams become part of your memories
A film like Hoop Dreams is what the movies are for. It takes us, shakes us, and makes us think in new ways about the world around us. It gives us the impression of having touched life itself.
We all are born with a certain package. We are who we are: where we were born, who we were born as, how we were raised. We're kind of stuck inside that person, and the purpose of civilization and growth is to be able to reach out and empathize a little bit with other people. And for me, the movies are like a machine that generates empathy. It lets you understand a little bit more about different hopes, aspirations, dreams and fears. It helps us to identify with the people who are sharing this journey with us.
The moment a man stops dreaming is the moment he petrifies inside.
The secret of the movie is that it doesn't strain to draw parallels with current world events - because it doesn't have to.
There was a bedrock of respect that developed over the years,
The target audience didn't care that we hated those movies because they just expected us to hate them.
Seeing the film over and over again, year after year, I find it never grows over-familiar. It plays like a favorite musical album; the more I know it, the more I like it.
We had lots of big fights, ... We were people who came together one day a week to work together and the other six days of the week we were competitors on two daily newspapers and two different television stations. So there was a lot of competition and a lot of disagreement.
I believe that if, at the end of it all, according to our abilities, we have done something to make others a little happier, and something to make ourselves a little happier, that is about the best we can do.
What am I to think when six weekends of this year already have been won by slasher movies that were not screened for critics and got bad ratings on the tomato meter when they were screened?
The prevailing style in the mainstream is represented by Michael Bay. This is shorter and shorter takes and less and less dialogue.