Robert Hughes
Robert Hughes
Most remembered for a bestselling Australian historical study titled The Fatal Shore, he also worked as a Time magazine art critic and hosted an art-themed television program called The Shock of the New.
NationalityAustralian
ProfessionNovelist
Date of Birth28 July 1938
CountryAustralia
art jobs wall
The new job of art is to sit on the wall and get more expensive.
horse moving past
For the machine meant the conquest of horizontal space. It also meant a sense of that space which few people had experienced before – the succession and superimposition of views, the unfolding of landscape in flickering surfaces as one was carried swiftly past it, and an exaggerated feeling of relative motion (the poplars nearby seeming to move faster than the church spire across the field) due to parallax. The view from the train was not the view from the horse. It compressed more motifs into the same time. Conversely, it left less time in which to dwell on any one thing.
mean doe existence
But the existence of a cult does not mean that images appropriate to it automatically follow.
art war forever
In the Somme valley, the back of language broke. It could no longer carry its former meanings. World War I changed the life of words and images in art, radically and forever. It brought our culture into the age of mass-produced, industrialized death. This, at first, was indescribable.
art book loss
It is hard to think of any work of art of which one can say 'this saved the life of one Jew, one Vietnamese, one Cambodian'. Specific books, perhaps; but as far as one can tell, no paintings or sculptures. The difference between us and the artists of the 1920's is that they they thought such a work of art could be made. Perhaps it was a certain naivete that made them think so. But it is certainly our loss that we cannot.
waiting missionary command
Why wait for a call when you have a command?
soccer team skills
If you like your soccer cerebral, and the triumph ultimately to be wrung out of staying power, Milan was the place to be. If you love the uncertainty of teams that cannot defend yet have the courage to attack, attack, attack, then Seville was heaven... The common denominator between the victories of Arsenal and Fenerbache? The strength of mind, the courage to dare in another team's domain, the inner belief that is as much a part of sporting success as the skill a fellow may be born with.
soccer football dream
On Platini's presidential watch... he has to balance all the leagues, all the dreams and needs of hundreds of clubs across his continent.
tired player piano
One gets tired of the role critics are supposed to have in this culture: It's like being the piano player in a whorehouse; you don't have any control over the action going on upstairs.
keys ideas doubt
Indeed, the idea that doubt can be heroic, if it is locked into a structure as grand as that of the paintings of Cezanne's old age, is one of the keys to our century. A touchstone of modernity itself.
dope gossip
It was the basilica of gossip, the Vatican of inside dope.
art progress fluctuation
In art there is no progress, only fluctuations of intensity.
moving school two
Most of the time they buy what other people buy. They move in great schools, like bluefish, all identical. There is safety in numbers. If one wants Schnabel, they all want Schnabel, if one buys a Keith Haring, two hundred Keith Harings will be sold.
mistake hands cities
Everything that would be said against the Eixample's heirs, from Le Corbusier's 'ville radieuse' to Oscar Niemeyer's Brasilia, was already said, with far less justice, about the Eixample itself. And all its critics concurred that the basic mistake was to have left the planning of a city in the hands of a socialist.