Robert Greene
Robert Greene
Robert Greenewas an English author popular in his day, and now best known for a posthumous pamphlet attributed to him, Greenes, Groats-worth of Witte, bought with a million of Repentance, widely believed to contain an attack on William Shakespeare. He is said to have been born in Norwich. He attended Cambridge, receiving a BA in 1580, and an M.A. in 1583 before moving to London, where he arguably became the first professional author in England. Greene was prolific and published...
NationalityEnglish
ProfessionPlaywright
Date of Birth11 July 1558
couple lucky fifteen
Movie theaters barely make any money. A movie can make a couple of thousand dollars, or could get lucky and make ten or fifteen thousand dollars, but theatrical releases don't really sustain the work. For me, it's the best sort of advertisement for anything else you'd want to do.
running new-york space
Kati with an I was a New York Times Critics' Pick and I was really happy that it got a run uptown in Harlem at the Maysles Cinema, which is a great space but isn't necessarily the most well attended for a week-long screening.
running play long
I want my movies to play in movie theaters. While festivals can fulfill a part of that, there's nothing like getting a week-long run for your movie. It's becoming increasingly difficult to get that.
documentaries inspired moments
It's funny how it reads like a Kubrick-inspired moment, a filmmaker controlling one's mise en scène. What it truly is is a documentary moment.
moving two guy
We're close friends [with Brandy Burre]. We're neighbors. I actually lived two houses over from her for a while and then we were traveling one day and she was looking at the house we currently live in - which was between us - and she's like, "You guys should move here! It's bigger and better!"
summer kids play
We [with Brandy Burre ] like fifteen feet away from each other. You can see my house and my car in pretty much every exterior shot in the movie. It was like filming at my extended house. My kids and her kids are the same age and they're best friends. Every summer they play with each other. We were intensely close friends beforehand in part because we take care of each other's kids.
thinking ideas way
I was working on other things and I wanted to make a film, and I had some ideas brewing in my head. Brandy's [ Burre] circumstance was such that I didn't really know what was going to happen. That was obviously a surprise, but I knew she was in her mid-to-late thirties and she was starting to really think about her life in a way that really appealed to me, appealed to the women that I know in my life.
play goal actresses
My goal for Actress is to have it play more traditional theaters.
winter years towns
Here in Beacon, I feel like this was the worst year yet. The entire town, like a lot of winter towns, just kind of holed up in the winter.
wall thinking people
I think what happened with Brandy [Burre]is what happens with a lot of people. You make these decisions for comfort and stability, and then eventually those same things that are comforting and stable end up putting walls around you that you didn't expect.
wife creative trying
I don't know that Brandy [Burre] would ever categorize herself as being trapped, but I felt like I saw her being trapped. When she's cleaning the room and she puts the labels on the toys, that was something that my wife, who's also friends with Brandy, was very adamant that we try to capture. My wife said that showed to her Brandy's creative outlet because she can't be creative in the ways that she used to be or that she maybe wants to be in the future.
kids home thinking
I think it comes in cycles for Brandy [Burre] and for many women. You want to take care of your home, making it as good as possible for your kids and for yourself, and then eventually you feel trapped and you want to break out of that. You want to be someone else and you want the world to look at you as something else. Eventually, you come back again. The cycles are very much a part of her life.
home character safe
If we were controlling the performance, we never would have had someone push a button to make the pellet stove come on during a climatic moment. And after the loud pellet stove moment, which is like a Todd Haynes's Safe interruption into the home and into the narrative - as if the home is a like a ghost surrounding the characters - her performance changes entirely.
kind norm
In some ways, the documentary form is a kind of trap and so is societal norms.