Robert Gottlieb
Robert Gottlieb
Robert Adams Gottliebis an American writer and editor. From 1987 to 1992 he was the editor of The New Yorker...
NationalityAmerican
ProfessionWriter
Date of Birth29 April 1931
CountryUnited States of America
ballet dancers eternal good mysteries people perform plain pure supposedly untalented work
One of the eternal mysteries of ballet is how untalented choreographers find backers for their work, and then find good dancers to perform in it. Is it irresistible charm? Chutzpah? Pure determination? Blackmail? Or are so many supposedly knowledgeable people just plain blind?
common good simply
Editing is simply the application of the common sense of any good reader. That's why, to be an editor, you have to be a reader. It's the number one qualification.
bad ballets crucial good opposite respect tolstoy unhappy works
Tolstoy may be right about happy and unhappy families, but in ballet, it works the opposite way: All good ballets are different from each other and all bad ones are alike, at least in one crucial respect - they're all empty.
ballets good guarantees
What guarantees - or at least semi-guarantees - good ballets is good choreographers, and they are thin on the ground.
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There are a few writers whose lives and personalities are so large, so fascinating, that there's no such thing as a boring biography of them - you can read every new one that comes along, good or bad, and be caught up in the story all over again.
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Dance Theatre of Harlem has done a lot of good things well, a lot of good things badly, and a lot of bad things - it doesn't matter how.
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Wayne McGregor's 'Dyad 1929' is a good example of this capable British choreographer's work.
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The mystery of Christopher Wheeldon deepens. Yes, he's the most talented of the younger ballet choreographers - indeed, where's the competition? Yes, he's particularly good at nurturing dancers and identifying their essential qualities.
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In today's world, it never looks good when you're suing somebody who earned $20,000 for writing a book over a period of a year or two.
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With literary fiction, generally a film maker falls in love with a book. In commercial fiction, it's a producer or studio falling in love with a book they can make into a movie with worldwide appeal.
authors either russian
We see a new generation of Russian authors who are not divided from their Western contemporaries either culturally or philosophically.
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'The Sleeping Beauty' is the greatest, most challenging and most vulnerable of classical ballets. Everything can go wrong with it, and all too often, everything does.
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'Empty Moves' is elegantly and coolly inventive. Two pairs of dancers shadow each other in slow, deliberate rearrangements and manipulations of legs and torsos, only occasionally switching partners or breaking free of the formal patterning.
allow certain requires
Editing requires you to be always open, always responding. It is very important, for example, not to allow yourself to want the writer to write a certain kind of book. Sometimes that's hard.