Robert Fripp
Robert Fripp
Robert Frippis an English guitarist, composer and record producer...
NationalityEnglish
ProfessionGuitarist
Date of Birth16 May 1946
describing fail inherent itself piece quality
You have to find a way of recognizing and describing the quality inherent in the music. If you fail to do that, then the piece itself is compromised.
quality world doe
If an apprentice does not hear what a master hears, is then that quality not present in the music? Yes and no. In the world in which the apprentice lives no.
music listening quality
What we hear is the quality of our listening.
quality firsts innocence
The quality of artistry is the capacity to assume innocence at will, the quality of experiencing innocence as if for the first time.
discipline creative quality
The creative musician ... is ... the radio receiver, not the broadcasting station. His personal discipline is to improve the quality of the components, the transistors, the speakers, the alloys in the receiver itself, but never to concern himself overmuch with putting out the program. The program is there; all he has to do is receive it as far as possible.
moved simple
So, on that simple recognition, this is who we are, everything changes, you are in a different world. You moved out from the basement.
I'd say that what we hear is the quality of our listening.
cannot course deal expect manage members next persuade thousands
Even within the band, if I cannot manage to persuade the members of what I see to be the next course of action, how do you expect the group to deal with the expectations of thousands of people. It is not possible.
business care characters dealing former hostile hours lawsuits mean means members music musician playing spend stolen taking various
Being a professional musician doesn't mean you spend 12 hours a day playing music. It means you spend up to 12 hours a day taking care of business, dealing with litigation, with the various characters who've stolen your interests, or fending off hostile lawsuits from former members of the band.
The perception of the audience is the interesting part. If the audience doesn't hear what is going on, is it going on or not?
thinking our-world shapes
The way we describe our world shows how we think of our world. How we think of our world governs how we interpret our world. How we interpret our world directs how we participate in the world. How we participate in the world shapes the world.
musical logic
Business logic and musical logic are utterly incompatible.
want unnecessary unlikely
What is necessary is possible, what we want is expensive. What is unnecessary is unlikely.
different entering world
Performance is a vehicle for entering different worlds of experiencing.