Rob Sheffield
Rob Sheffield
Rob Sheffieldis an American music journalist and author...
NationalityAmerican
ProfessionJournalist
Date of Birth2 February 1966
CountryUnited States of America
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Both of my books, 'Love Is a Mix Tape' and 'Talking to Girls About Duran Duran,' are about how music gets tangled up with all our other emotional memories. Since I'm an obsessive music fan, I'm always seeking out new sonic thrills.
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Movies for adults sucked in the 1980s, and music for adults sucked even worse; whether we're talking about Kathleen Turner flicks or Sting albums, the decade's non-teen culture has no staying power at all.
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Ah, the bond between English boys and California girls. For those of us who aren't either, it's a bond that fascinates and mystifies. So much of the world's favorite music comes out of that relationship.
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Monogamous musicians are like vegan hockey players.
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We all get as miserable as Erika M. Andersen sometimes, but we rarely approach her musical-ideas-per-miserable-minute ratio.
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When you stick a song on a tape, you set it free.
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There are all kinds of mix tapes. there is always a reason to make one.
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The times you lived through, the people you shared those times with — nothing brings it all to life like an old mix tape. It does a better job of storing up memories than actual brain tissue can do. Every mix tape tells a story. Put them together, and they can add up to the story of a life.
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When we die, we will turn into songs, and we will hear each other and remember each other.
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'Drive,' that's the one. I love dozens of songs by R.E.M., but that's the one, even though it took me 7 or 8 years to start liking it.
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Big Star invented a vision of bohemian rock & roll cool that had nothing to do with New York, Los Angeles or London, which made them completely out of style in the 1970s, but also made them an inspiration to generations of weird Southern kids.
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Thanks for existing, R.E.M. It's hard to overstate how much these guys changed everything, creating an entire rock audience in their own image.
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That's the rub about 'Community' - for all the high-concept cleverness, it really comes down to vulgar humanism, the dumbest kind of sentimental identification. We watch it because we like these people and we miss them when they don't show up. They become part of the stories we tell ourselves.
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Hardly anyone liked R.E.M. who didn't like them way too much, so part of being an R.E.M. fan meant getting wildly overinvested and then feeling vaguely disappointed by whatever they did next.