Ridley Scott

Ridley Scott
Sir Ridley Scottis an English film director and producer. Following his commercial breakthrough with the science-fiction horror film Alien, his best known works are the neo-noir dystopian science fiction film Blade Runner, crime drama Thelma & Louise, historical drama and Best Picture Oscar winner Gladiator, war film Black Hawk Down, crime thriller Hannibal, biographical film American Gangster, and science fiction films Prometheusand The Martian...
NationalityBritish
ProfessionDirector
Date of Birth30 November 1937
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You just don't know when you get all the paint across the canvas how it will turn out. When you step back after you've finished, you say, 'This one is not so good. This one is good.'
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The 3D world allows you to engage even more with a film because you're somehow drawn into the landscape or the universe of that scene. Even when it's two people talking at a table, you feel like you're a third party.
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Fundamentally, I always find that most of the films that I've put out are essentially the director's cut. Part of the process with a director's cut is the leaving behind of certain aspects of the movie that we don't feel necessary because they aren't part of the dynamic of the story.
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From time to time, there are people in the film industry who appear on the horizon with a unique vision. South African director Neill Blomkamp is one of those rare people.
I am in a constant stage of development.
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I grew up in the North of England at a time when Stirling Moss was a hero. Everyone wanted to be a racing driver.
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I don't go to the cinema often anymore - I'd rather just pop in a disk and get the biggest monitor you've got, and if the quality is superb, I can watch a film, and if I don't like it I can pop it out.
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I didn't want to go down the route of spending a year of my life making a movie that would never be seen. I may as well go down a route making a film that a lot of people will see, which is the whole idea behind cinema.
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I don't get attached to anything. I'm like a good antique dealer. I'm prepared to sell my most valuable table.
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On rare occasions, Dad used to reminisce about when he met Eisenhower and how Churchill would pop in, in the late hours of the evening or night, carrying a cigar, when he'd obviously had a good dinner.
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One of the problems with science fiction, which is probably one of the reasons why I haven't done one for many, many years, is the fact that everything is used up. Every type of spacesuit is used up, every type of spacecraft is vaguely familiar, the corridors are similar, and the planets are similar.
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Most people need the money all the time.
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Oddly enough, I find it quite engaging to be working with a female when I'm directing. It's kind of interesting.
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I'm a reader. I found out that, whether you're a studio head or a director, you must read your own material. You can't rely on readers.