Ricky Jay
Ricky Jay
Richard Jay Potash, known professionally as Ricky Jay, is an American stage magician, actor, and writer. In a profile for the New Yorker, Mark Singer called Jay "perhaps the most gifted sleight of hand artist alive". In addition to sleight of hand, Jay is known for his card tricks, card throwing, memory feats, and stage patter. He has also written extensively on magic and its history. He has acted in the films The Prestige, The Spanish Prisoner, Heist, Boogie Nights,...
NationalityAmerican
ProfessionTV Actor
Date of Birth1 January 1948
CityBrooklyn, NY
CountryUnited States of America
I think a lot of people just assumed I came to L.A. to do more television and get into show business.
I wasn't obsessed by magic. People say, 'How you can you claim you practiced eight hours a day and weren't obsessed?' Well, people go to a job they don't even like for eight hours a day; it's not obsessive if it's something you like.
I do think deception... There's something kind of odd about tricking people for a living, but ultimately, it's a remarkably honest profession, when you think about it. If you violate that code, and you say you're not using camera tricks, and then you do, I actually think that's a kind of serious moral issue.
I think a lot of people just assumed I came to L.A. to do more television and get into show business.
Theft annoys me more than anything else. The purloining of effects from another magician. Some people think it's massive to steal the secrets of nuclear reactors, but to steal a card move is trivial. They're wrong.
I love amazing people. I love dazzling them. That's why I think performing magic is one of the greatest things a person can do.
There are enormous dangers in thinking that the world online is the world as it exists, that what you get from your one stroke on the Internet is all there is to know.
I grew up like Athena - covered with playing cards instead of armor - and, at the age of seven, materialized on a TV show, doing magic.
I've been really lucky in terms of film projects with people, terrific actors and also writers and directors that I really respect.
I was considered a comedy magician. And - how do I put this without sounding egotistical? - it didn't take me long to realize that comedy magicians usually couldn't do comedy or magic.
I don't know what first got me to attack melons. It's not like I ate a bad one and got an upset stomach. It just eventually seemed like the appropriate fruit.
I'm much more interested in lesser-known eccentrics and characters and performers. Like Matthew Buchinger, who was born in Germany in 1674, had no arms or legs and yet did magic, and had 14 kids, and made the most extraordinary calligraphy.
For the most part, magic secrets are available on a level that's overwhelming and frightening, and they are very accessible if you do the tiniest bit of digging. But, that said, there's a certain group of individuals, in which I am included, who are very tight about secrets and don't share them with anyone.
Magicians from the nineteenth century threw cards distances, but I think I'm the first one who made a thing about using them as weapons.