Rebecca West
Rebecca West
Dame Cicely Isabel Fairfield DBE, known as Rebecca West, or Dame Rebecca West, was a British author, journalist, literary critic and travel writer. An author who wrote in many genres, West reviewed books for The Times, the New York Herald Tribune, the Sunday Telegraph, and the New Republic, and she was a correspondent for The Bookman. Her major works include Black Lamb and Grey Falcon, on the history and culture of Yugoslavia; A Train of Powder, her coverage of the...
NationalityIrish
ProfessionActivist
Date of Birth21 December 1892
CountryIreland
Rebecca West quotes about
The French use cooking as a means of self-expression, and this meal perfectly represented the personality of a cook who had spent the morning resting her unwashed chin on the edge of a tureen, pondering whether she should end her life immediately by plunging her head into her abominable soup ...
Here lies the real terror in the international war of ideologies; that a city knows not whom it entertains.
... there has never been a period in history when there have been necessary killings which has not been instantly followed by a period when there have been unnecessary killings.
... when the Spaniards persecuted heretics they may have been crude, but they were not being unreasonable or unpractical. They were at least wiser than the people of to-day who pretend that it does not matter what a man believes, as who should say that the flavour and digestibility of a pudding will have nothing to do with its ingredients.
The [nineteenth-century] young men who were Puritans in politics were anti-Puritans in literature. They were willing to die for the independence of Poland or the Manchester Fenians; and they relaxed their tension by voluptuous reading in Swinburne.
No one can write a best-seller by taking thought. The slightest touch of insincerity blurs its appeal. The writer who keeps his tongue in his cheek, who knows that he is writing for fools and that, therefore, he had better write like a fool, makes a respectable living out of serials and novelettes; but he will never make the vast, the blaring, half a million success. That comes of blended sincerity and vitality.
Babbitt as a book was planless; its end arrived apparently because its author had come to the end of the writing-pad, or rather, one might suspect from its length, to the end of all writing-pads then on the market.
A bad short story or novel or poem leaves one comparatively calm because it does not exist, unless it gets a fake prestige throughbeing mistaken for good work. It is essentially negative, it is something that has not come through. But over bad criticism one has a sense of real calamity.
A great many quite good plays could be performed with rhythmic howls in the place of dialogue and lose almost nothing by the change.
There are acacias, a graceful species amusingly devitalized by sentimentality, this kind drooping its leaves with the grace of a young widow bowed in controllable grief, this one obscuring them with a smooth silver as of placid tears. They please, like the minor French novelists of the eighteenth century, by suggesting a universe in which nothing cuts deep.
Most magazines have that look of being predestined to be left which one sees on the faces of the women whose troubles bring them to the Law Courts.
For some reason a nation feels as shy about admitting that it ever went forth to war for the sake of more wealth as a man would about admitting that he had accepted an invitation just for the sake of the food. This is one of humanity's most profound imbecilities, as perhaps the only justification for asking one's fellowmen to endure the horrors of war would be the knowledge that if they did not fight they would starve.
I cannot think that espionage can be recommended as a technique for building an impressive civilization. It's a lout's game.
Once a secret society establishes itself within an open society, there is no end to the hideous mistrust it must cause.