Ralph Ellison
Ralph Ellison
Ralph Waldo Ellisonwas an American novelist, literary critic, and scholar. He was born in Oklahoma City, Oklahoma. Ellison is best known for his novel Invisible Man, which won the National Book Award in 1953. He also wrote Shadow and Act, a collection of political, social and critical essays, and Going to the Territory. For The New York Times, the best of these essays in addition to the novel put him "among the gods of America's literary Parnassus." A posthumous novel,...
NationalityAmerican
ProfessionNovelist
Date of Birth1 March 1914
CityOklahoma City, OK
CountryUnited States of America
I was pulled this way and that for longer than I can remember. And my problem was that I always tried to go in everyone's way but my own. I have also been called one thing and then another while no one really wished to hear what I called myself. So after years of trying to adopt the opinions of others I finally rebelled. I am an invisible man.
I am an invisible man. No, I am not a spook like those who haunted Edgar Allan Poe; nor am I one of your Hollywood-movie ectoplasms.
Man's hope can paint a purple picture, can transform a soaring vulture into a noble eagle or moaning dove.
I am an invisible man. I am a man of substance, of flesh and bone, fiber and liquids - and I might even be said to possess a mind. I am invisible, understand, simply because people refuse to see me.
Life is as the sea, art a ship in which man conquers life's crushing formlessness, reducing it to a course, a series of swells, tides and wind currents inscribed on a chart.
The blues is an art of ambiguity, an assertion of the irrepressibly human over all circumstance whether created by others or by one's own human failings. They are the only consistent art in the United States which constantly remind us of our limitations while encouraging us to see how far we can actually go. When understood in their more profound implication, they are a corrective, an attempt to draw a line upon man's own limitless assertion.
It goes a long way back, some twenty years. All my life I had been looking for something, and everywhere I turned someone tried to tell me what it was. I accepted their answers too, though they were often in contradiction and even self-contradictory. I was naive. I was looking for myself and asking everyone except myself questions which I, and only I, could answer. It took me a long time and much painful boomeranging of my expectations to achieve a realization everyone else appears to have been born with: That I am nobody but myself. But first I had to discover that I am an invisible man!
All novels are about certain minorities: the individual is a minority. The universal in the novel-and isn't that what we're all clamoring for these days?-is reached only through the depiction of the specific man in a specific circumstance.
Whence all this passion towards conformity anyway? Diversity is the word. Let man keep his many parts and you will have no tyrant states. Why, if they follow this conformity business, they'll end up by forcing me, an invisible man, to become white, which is not a color but the lack of one. Must I strive towards colorlessness? But seriously and without snobbery, think of what the world would lose if that should happen. America is woven of many strands. I would recognize them and let it so remain.
The understanding of art depends finally upon one's willingness to extend one's humanity and one's knowledge of human life.
Hibernation is a covert preparation for a more overt action.
That which we remember is, more often than not, that which we would like to have been; or that which we hope to be. Thus our memory and our identity are ever at odds; our history ever a tale told by inattentive idealists.
Imitation is suicide, envy is ignorance.
Injustice wears ever the same harsh face wherever it shows itself.