Ralph Ellison
Ralph Ellison
Ralph Waldo Ellisonwas an American novelist, literary critic, and scholar. He was born in Oklahoma City, Oklahoma. Ellison is best known for his novel Invisible Man, which won the National Book Award in 1953. He also wrote Shadow and Act, a collection of political, social and critical essays, and Going to the Territory. For The New York Times, the best of these essays in addition to the novel put him "among the gods of America's literary Parnassus." A posthumous novel,...
NationalityAmerican
ProfessionNovelist
Date of Birth1 March 1914
CityOklahoma City, OK
CountryUnited States of America
Had the price of looking been blindness, I would have looked.
There must be possible a fiction which, leaving sociology and case histories to the scientists, can arrive at the truth about the human condition, here and now, with all the bright magic of the fairy tale.
I am one of the most irresponsible beings that ever lived. Irresponsibility is part of my invisibility; any way you face it, it is a denial. But to whom can I be responsible, and why should I be, when you refuse to see me?
The blues is an art of ambiguity, an assertion of the irrepressibly human over all circumstance whether created by others or by one's own human failings. They are the only consistent art in the United States which constantly remind us of our limitations while encouraging us to see how far we can actually go. When understood in their more profound implication, they are a corrective, an attempt to draw a line upon man's own limitless assertion.
It goes a long way back, some twenty years. All my life I had been looking for something, and everywhere I turned someone tried to tell me what it was. I accepted their answers too, though they were often in contradiction and even self-contradictory. I was naive. I was looking for myself and asking everyone except myself questions which I, and only I, could answer. It took me a long time and much painful boomeranging of my expectations to achieve a realization everyone else appears to have been born with: That I am nobody but myself. But first I had to discover that I am an invisible man!
So why do I write, torturing myself to put it down? Because in spite of myself I've learned some things. Without the possibility of action, all knowledge comes to one labeled "file and forget," and I can neither file nor forget. Nor will certain ideas forget me; they keep filing away at my lethargy, my complacency. Why should I be the one to dream this nightmare?
I remember that I'm invisible and walk softly so as not awake the sleeping ones. Sometimes it is best not to awaken them; there are few things in the world as dangerous as sleepwalkers.
You start Saul, and end up Paul,' my grandfather had often said. 'When you're a youngun, you Saul, but let life whup your head a bit and you starts to trying to be Paul - though you still Sauls around on the side.
All novels are about certain minorities: the individual is a minority. The universal in the novel-and isn't that what we're all clamoring for these days?-is reached only through the depiction of the specific man in a specific circumstance.
I do not know if all cops are poets, but I know that all cops carry guns with triggers.
Power, for the writer....lies in his ability to reveal if only a little bit more about the complexity of humanity.
I am not ashamed of my grandparents for having been slaves. I am only ashamed of myself for having at one time being ashamed.
At best Americans give but a limited attention to history. Too much happens too rapidly, and before we can evaluate it, or exhaust its meaning or pleasure, there is something new to concern us. Ours is the tempo of the motion picture, not that of the still camera, and we waste experience as we wasted the forest.
God is love, I said, but art's the possibility of forms, and shadows are the source of identity.