Raf Simons
Raf Simons
Raf Simonsis a Belgian fashion designer. Beginning in furniture design, he launched his own menswear label in 1995. In April 2012 he was announced as the creative director at Christian Dior. On October 22, 2015 he resigned from Christian Dior...
NationalityBelgian
ProfessionFashion Designer
Date of Birth12 January 1968
CityNeerpelt, Belgium
CountryBelgium
art design looking nose school study until
Until I was eighteen, I did not know that you could study fashion design or art. I really didn't know. I already had my nose in the art world; I was already looking at things, but I didn't really get it that you could study that because my school was a very different environment.
body constant design goes industrial relation whereas
As an industrial designer, you design the thing by yourself, and then it goes away from you, whereas fashion is in constant relation to the body and to psychology. It makes it more complicated, and it makes it more challenging.
art artists connect designers psychology scene system
There's a very different kind of psychology going on in the fashion scene than in art. When artists connect to a system because they want to make a living, it's their own choice. In fashion, designers don't have that choice.
changed designers hard literally people trash work
Antwerp literally was a trash hole, but fashion changed that. The designers there were extreme, and their work was hard to understand. But now, people from all over the world come to Antwerp to shop.
evolution designer evolve
I'm a designer, and for me, things are always evolving, and such evolution is necessary.
common designer expressed knew martin people saw
In the nineties, it was common to see people who expressed themselves through one designer - the Jil Sander woman, the Martin Margiela woman. You saw her on the street, and you knew who she was.
aesthetic call design divide knew next people season
In fashion design, you can divide people into two groups. You have people who come with an aesthetic that is there forever, even if it evolves. Then you have people I call 'jumpers.' One season it can be this; the next season it's completely something else. I always knew I am more of a jumper.
behaviour combined easily less men
I see there is a lot of behaviour in men's fashion, which is systematic. It's a lot about all these kind of clothes that can be easily combined with each other, and it's less and less, I think, about making a fashion statement.
people
People who don't know me look at my world as something very hard-core, and I don't feel it that way. It's not what attracts me.
city happy wearing
Somewhere, in some city in America, someone is wearing my clothes, and I'm happy with that.
aesthetic difficult favourite future song terms
I fantasise about what the future could be in terms of aesthetic and psychology. It's the most difficult thing to do because you have to start from the past - your favourite architect, your favourite song - you take it all with you.
absorb associated attracted audiences certain image interested respond
I am always attracted to the moments when a person who is associated with a certain message, image or sensibility evolves. I am very interested in how audiences respond to that maturation and absorb the evolution.
art deeply discover fashion interest understand
I don't have so many things in the fashion world that interest me. It's probably because I am so deeply into it. Often when you go very deep into something, you also discover what it's about, and you understand it better. With the art world, I still have a lot of curiosity.
freaks hard moves slightly slow speed takes
I'd like to see fashion slow down a bit. What freaks me out about fashion today is the speed - the speed of consuming, the speed of ideas. When fashion moves so fast, it takes away something I always loved, which is the idea that fashion should be slightly elusive. Hard to grasp, hard to find.