Rabindranath Tagore
Rabindranath Tagore
Rabindranath Tagore FRAS, also written Ravīndranātha Thākura, sobriquet Gurudev, was a Bengali polymath who reshaped Bengali literature and music, as well as Indian art with Contextual Modernism in the late 19th and early 20th centuries. Author of Gitanjali and its "profoundly sensitive, fresh and beautiful verse", he became the first non-European to win the Nobel Prize in Literature in 1913. In translation his poetry was viewed as spiritual and mercurial; however, his "elegant prose and magical poetry" remain largely unknown...
NationalityIndian
ProfessionPoet
Date of Birth7 May 1861
CityKolkata, India
CountryIndia
Man's cry is to reach his fullest expression.
Obstacles are necessary companions to expression, and we know that the positive element in language is not in its obstructiveness. Exclusively viewed from the side of the obstacle, nature appears inimical to the idea of morality. But if that were abs
Gross utility kills beauty. We now have all over the world huge production of things, huge organizations, huge administrations of empire - all obstructing the path of life. Civilization is waiting for a great consummation, for an expression of its so
In the dualism of death and life there is a harmony. We know that the life of a soul, which is finite in its expression and infinite in its principle, must go through the portals of death in its journey to realize the infinite. It is death which is m
Religion, like poetry, is not a mere idea, it is expression. The self-expression of God is in the endless variety of creation; and our attitude toward the Infinite Being must also in its expression have a variety of individuality ceaseless and unendi.
Life is perpetually creative because it contains in itself that surplus which ever overflows the boundaries of the immediate time and space, restlessly pursuing its adventure of expression in the varied forms of self-realization.
Music is the purest form of art, and therefore the most direct expression of beauty, with a form and spirit which is one and simple, and least encumbered with anything extraneous. We seem to feel that the manifestation of the infinite in the finite forms of creation is music itself, silent and visible.
The smile that flickers on baby's lips when he sleeps- does anybody know where it was borne? Yes, there is a rumor that a young pale beam of a crescent moon touched the edge of a vanishing autumn cloud, and there the smile was first born . . . .
Things are distinct not in their essence but in their appearance; in other words, in their relation to one to whom they appear. This is art, the truth of which is not in substance or logic, but in expression. Abstract truth may belong to science and
The revilement of the infinite in the finite, which is the motive of all creation, is not seen in its perfection in the starry heavens, in the beauty of the flowers. It is in the soul of man.
We do not raise our hands to the void for things beyond hope.
The tendency in modern civilization is to make the world uniform... Let the mind be universal. The individual should not be sacrificed.
So our daily worship of God is not really the process of gradual acquisition of him, but the daily process of surrendering ourselves, removing all obstacles to union and extending our consciousness of him in devotion and service, in goodness and in l
Science urges us to occupy by our mind the immensity of the knowable world; our spiritual teacher enjoins us to comprehend by our soul the infinite spirit which is in the depth of the moving and changing facts of the world; the urging of our artistic