Quincy Jones

Quincy Jones
Quincy Delightt Jones, Jr., also known as "Q", is an American record producer, conductor, arranger, composer, musician, television producer, film producer, instrumentalist, magazine founder, entertainment company executive, and humanitarian. His career spans six decades in the entertainment industry and a record 79 Grammy Award nominations, 28 Grammys, including a Grammy Legend Award in 1991...
NationalityAmerican
ProfessionMusic Producer
Date of Birth14 March 1933
CityChicago, IL
CountryUnited States of America
Frank Sinatra took me to a whole new planet. I worked with him until he passed away in '98. He left me his ring. I never take it off. Now, when I go to Sicily, I don't need a passport. I just flash my ring.
I didn't understand key signatures or anything, you know. I'd say silly things at the top of a trumpet part like, 'Note, when you play B naturals, make the B naturals a half step lower because they sound funny if they're B naturals.' And some guy said: 'Idiot, just put a flat on the third line and it's a key signature, you know?'
Seattle is like a global gumbo, a melting pot with all kinds of people - the rich, the poor, white people, some Chinese, Filipino, Jewish and black people - they're all here.
I lost my mother when I was 7 and they put her in a mental hospital. My brother and I watched her being taken away in a strait jacket. That's something you never forget. And my stepmother was like in the movie 'Precious.' I couldn't handle it. So I said to myself, 'I don't have a mother. I don't need one. I'm going to let music be my mother.'
I'm probably the only one in the world you can name that's worked with Billie Holiday, Louie Armstrong, Ella, Duke, Miles, Dizzy, Ray Charles, Aretha, Michael Jackson, rappers. 'Fly Me to the Moon' was played on the moon by Buzz Aldrin. Sinatra. Paul Simon. Tony Bennett. I'm the only one.
I believe in astrology as much as I do in genetics.
I met Ray Charles at 14, and he was 16. But he was like a hundred years older than me.
Peace is possible around the world, and children are the answer.
My daddy was a carpenter that worked with the Jones boys, who are the most notorious in America. The black gangsters, you know, they were no joke. And he was their master carpenter. He used to build their homes, and all I saw when I was 11 years old were dead bodies and tommy guns and stogies, and backrooms, you know, Drexel Wine and Liquor, with the big piles of money underneath.
It's very freaky in Chicago.There's something in the water there, I don't know what it is. But the actual word Chicago means, in the Indian language, garlic. It was just garlic and mosquitoes there.And that is the roughest city on the planet, and I been to every place in the world.
Empty the cup every time and it comes back at twice as full. I developed that attitude when I was very, very young, when I decided I didn't want to be a gangster anymore. Whether it's just shining shoes, I said okay, I'm going to do this better than anybody else did it in my life.
A bad song, the three best singers in the world cannot save it, and that's the bottom line.
I got to trumpet, finally. That's why I love to write for brass, and [Count] Basie and [Frank] Sinatra and all that stuff, 'cause that's just like part of my DNA.
The relationship with a producer and an artist is really special.It's got to be love and respect, amazing mutual respect for each other, because that's what makes a good record.