Quentin Tarantino
Quentin Tarantino
Quentin Jerome Tarantinois an American filmmaker and actor. His films are characterized by non-linear storylines, satirical subject matter, an aestheticization of violence and gore, extended scenes of dialogue, utilization of ensemble casts consisting of established and lesser-known performers, references to popular culture, soundtracks primarily containing songs and score pieces from the 1960s to the 1980s, and features of neo-noir film...
NationalityAmerican
ProfessionDirector
Date of Birth27 March 1963
CityKnoxville, TN
CountryUnited States of America
want firsts stories
I do like putting scenario and story first, and I actually like masking whatever I want to say in the guise of genre.
mean justice people
Just because I was at an anti-police brutality protest, doesn't mean I'm anti-police. We want justice, but stop shooting unarmed people.
pressure violence temperature
If the film isn't suspenseful, i.e. the pressure cooker situation of what's going on in the movie, if that's not part of it, if the threat of violence and the temperature isn't always going up a notch every scene or so, then the movie is going to be boring. It's not going to work.
real nice eight
I shot the way I wanted to shoot [in The Hateful Eight]. The only real disadvantage I felt at the time, but I don't feel now, was that we weren't able to get a zoom lens, and I had really gotten used to using a zoom lens for that little zoom creep. But it was also a nice thing to be forced to not use all the tools that you've gotten used to, from time to time, and to be able to work in a different way.
art ghetto italian
I lived right on the borderline of a black neighborhood. So I could go into the black area and then there'd be these ghetto theaters that you could actually see the new kung fu movie or the new blaxploitation movie or the new horror film or whatever. And then there was also, if you went just a little further away, there was actually a little art house cinema. So I could actually see, you know, French movies or Italian movies, when they came out.
nests way england
Then they'd [Nazi] make movies against England, you know, in the same way, to help, you know, feather their nest for what they - their aggressions.
war past men
But the truth of the matter is, that was fairly, fairly early on in Goebbels' 800 movies that he made in Germany. The majority of them, especially once the war got going, you hardly saw Nazi officers in it at all. They were mostly musicals and comedies and melodramas and stories of great German men from the past.
want watches nazi
ou know, if you want to see jackbooting Nazis in movies, you've got to watch American movies made at that time.
community goebbels cows
Leni Riefenstahl was the one person Goebbels had no control over in the filmmaking community of Nazi Germany, and they despised each other. But because she was Hitler's favorite, she could do what she wanted. She was the only filmmaker that did not have to cow down to Joseph Goebbels.
writing kill-bill calling
With everything I've done from "Jackie Brown" on, I got really into really writing more prose in the - in what you're calling the stage directions, all right. And consequently my scripts have gotten bigger and bigger, and got to "Kill Bill" volume 1 and 2.
writing thinking way
I think that's, it's my way of writing, it's my, it's part of you know for lack of a better word, God-given talent that I have that I'm really good at that kind of dialogue.
writing thinking perspective
I think it almost all has to do with coming at writing from an acting perspective, because I didn't, like, study writing. I studied acting.
writing class ideas
And when I first started writing, it was literally in acting classes. And what would happen is now it's really easy to get scripts and stuff but back then, you know, oftentimes you'd buy the novelization to a movie if you wanted to get an idea of what the scene, you know what happened in the scene.
teaching class focus
"Dukes of Hazzard" or something you could, you know, that your work is going to be made up of that - episodic television shows. Not that I got many of them, but that was where I, but actually oddly enough though, they were teaching camera terminology at the same time in this acting class so I actually was able to understand what rack focus and whip pan and all that stuff meant.