Quentin Tarantino

Quentin Tarantino
Quentin Jerome Tarantinois an American filmmaker and actor. His films are characterized by non-linear storylines, satirical subject matter, an aestheticization of violence and gore, extended scenes of dialogue, utilization of ensemble casts consisting of established and lesser-known performers, references to popular culture, soundtracks primarily containing songs and score pieces from the 1960s to the 1980s, and features of neo-noir film...
NationalityAmerican
ProfessionDirector
Date of Birth27 March 1963
CityKnoxville, TN
CountryUnited States of America
Sure, Kill Bill is a violent movie. But it's a Tarantino movie. You don't go to see Metallica and ask the fu*kers to turn the music down.
I wasn't trying to top Pulp Fiction with Jackie Brown. I wanted to go underneath it and make a more modest character study movie.
Everything I learned as an actor, I have basically applied to writing.
Unfortunately, every time I have somebody play an instrument, it's always like, they don't know how to do it.
You can't write poetry on the computer.
Novelists have always had complete freedom to pretty much tell their story any way they saw fit. And that's what I'm trying to do.
One thing I don't understand is that average American movie-goers cannot watch a movie for three hours, yet they'll watch a stupid, boring, horrific football game for four hours. Now, that is boredom at its most colossal.
I'm wondering if the crew [from'The Hateful Eight'] had some sort of nickname for me. I am blanking at anything truly funny, so I'll just say, 'No Phone Quentin'.
To call Clive Barker a 'horror novelist' would be like calling the Beatles a 'garage band'... He is the great imaginer of our time. He knows not only our greatest fears, but also what delights us, what turns us on, and what is truly holy in the world. Haunting, bizarre, beautiful.
The children despise their parents until the age of when they suddenly become just like them - thus preserving the system.
I've always been passionate about these different (film) genres. Kung fu movies, samurai movies, Japanese movies, all this kind of stuff, and my love for it, and just trying to present it in a way that other people can love it as much as I do.
There was that last blast of Westerns that came out in the Seventies, those Vietnam/Watergate Westerns where everything was about demystification. And I like that about those movies.
Critics don't want to see directors they like make too much of a left turn. That's good for criticism.
What if a kid goes to school after seeing Kill Bill and starts slicing up other kids? You know, I'll take that chance! Violent films don't turn children into violent people. They may turn them into violent filmmakers but that's another matter altogether.