Philippe Petit
Philippe Petit
Philippe Petitis a French high-wire artist who gained fame for his high-wire walk between the Twin Towers of the World Trade Center in New York City, on the morning of August 7, 1974. For his unauthorized feat1,350 feetabove the ground, he rigged a 450-poundcable and used a custom-made 26-footlong, 55-poundbalancing pole. He performed for 45 minutes, making eight passes along the wire. The following week, he celebrated his 25th birthday. All charges were dismissed in exchange for him doing a...
NationalityFrench
ProfessionPerformance Artist
Date of Birth13 August 1949
CityNemours, France
CountryFrance
An intellectual challenge presents itself? I am in bliss. Instantly, it brings forth the notion of triumph.
When a loved one disappears, you continue to live with the accompaniment of that person. One has to find a balance between joy and sorrow.
It would be very, very dangerous for a wire walker to experience fear while he is balancing on the wire. Fear has its place on earth, before and maybe after a high-wire walk, but not during for me.
I started very early, from five or six years old, to climb. To climb trees, to climb rocks everywhere I could. At some point, of course, I used a rope.
Everybody wanted me to be rich and famous on my art. And I said no to all the commercials and all the seedy offers.
I've been arrested many times for illegal high wire walking and illegal street performing.
I wanted all my life to give my world into other arts - books, plays, movies - but I didn't want to sell out.
I was born in a world of opera, theatre, films, poetry, art, and therefore, out of the wire, I made a stage. That's why they call me a high wire artist.
I was never part of the sailing circle, but I enjoy when I'm invited to sail.
I would not describe my personality. And I think when you describe people, you are making a mistake. That's not how they are; that's how you perceive them at that moment. It's limiting in front of something that is magnificent and unlimited: life.
I would like to continue to tell stories of what I did in a biographical way, so I will continue to write.
I was thrown out of different schools because I was practicing my arts - magic, juggling, and the high wire.
I was in art school once a week from six to 16, which was essential in shaping my artistic sensitivity.
Wire-walking in performance is one thing - I never fell, of course. If I had, I wouldn't be here talking about it.