Philippe Petit
Philippe Petit
Philippe Petitis a French high-wire artist who gained fame for his high-wire walk between the Twin Towers of the World Trade Center in New York City, on the morning of August 7, 1974. For his unauthorized feat1,350 feetabove the ground, he rigged a 450-poundcable and used a custom-made 26-footlong, 55-poundbalancing pole. He performed for 45 minutes, making eight passes along the wire. The following week, he celebrated his 25th birthday. All charges were dismissed in exchange for him doing a...
NationalityFrench
ProfessionPerformance Artist
Date of Birth13 August 1949
CityNemours, France
CountryFrance
The wire is a safe place for me to be. The street is not. Life is not. It's a rigorous and simple path. It's straight. You don't have meanders like, you know, on the ground, in life.
The impossible - we are told - cannot be achieved. To overcome the 'impossible,' we need to use our wits and be fearless. We need to break the rules and to circumvent - some would one say to cheat.
I am fascinated by the engineering. The science of constructing and understanding why it stands. And I am drawn by the madness, the beauty, the theatricality, the poetry and soul of the wire. And you cannot be a wire-walker without mingling those two ways of seeing life.
I started making monkey bridges, like kids do, and climbing and rappelling with ropes. Very naturally, I needed some knots. At the very beginning, I didn't care, I didn't know, and then slowly I started to know, and I started to care. I wanted to know more knots or the right knot for the special action.
To be able to create fully, it's maybe fine that you learn the rules, but you have to forget and to rebel against those rules.
For years, I have been working on crossing the Grand Canyon. Actually, there is nobody who says 'no,' but since this is a project that comes from me and not a commission, I have to find the money, plan the logistics, etcetera.
If a leaf fell from a tree, I'd stop juggling and play with the leaf. I went to my prop bag and got a little bandage and stuck the leaf back on the tree. People loved it.
I was born in a world of opera, theatre, films, poetry, art, and therefore, out of the wire, I made a stage. That's why they call me a high wire artist.
I was never part of the sailing circle, but I enjoy when I'm invited to sail.
I would not describe my personality. And I think when you describe people, you are making a mistake. That's not how they are; that's how you perceive them at that moment. It's limiting in front of something that is magnificent and unlimited: life.
I would like to continue to tell stories of what I did in a biographical way, so I will continue to write.
Wire-walking in performance is one thing - I never fell, of course. If I had, I wouldn't be here talking about it.
When art in general, and film in particular, succeeds is when it pulls you away onto a voyage. Then it's a good film.
What I think tailors the creativity of most people are the rules that we learn from the age we are very small - in school, our parents.