Philipp Meyer
Philipp Meyer
Philipp Meyeris an American fiction writer, and is the author of the novels American Rust and The Son, as well as short stories published in McSweeney’s Quarterly, The Iowa Review, and Esquire UK. Meyer is the recipient of a 2010 Guggenheim Fellowship. He grew up in Hampden, a blue-collar Baltimore, Maryland, neighborhood often featured in the films of John Waters. His mother is an artist; his father is an electrician turned college biology instructor. Meyer considers his major literary influences...
NationalityAmerican
ProfessionWriter
CountryUnited States of America
My first published novel, 'American Rust,' took three and a half years of full-time work to write. But I wrote two apprentice novels before that.
I should say that generally I'm a pretty happy person, but as soon as I'm done with a project, I'm usually not happy at all. I feel a little empty and strange. I begin to think about how I can get better, stretch more artistically and intellectually. My biggest worry is getting complacent.
I don't think you can be taught how to make art. You can be coached, but on a fundamental level you have to figure it out for yourself. You have to learn how your own mind works, figure out your own relationship to the art; you essentially have to invent it completely for yourself.
Your job as a writer is to find storylines, narrative structures, and characters to show the things that you believe rather than saying them or telling them.
I didn't know much about Texas when I moved there for graduate school. In my first or second semester, I took a class in life and literature of the Southwest, and that's where I first heard about these events along the border in 1915-1918, what Anglos called the Bandit Wars.
Fundamentally, all art is about human beings. You're always showing larger moral questions through the smaller moral, philosophical, or political choices through one character in the book.
Since I quit banking, all my major life decisions, when they could, have revolved around writing.
What art and books do at their best is investigate why we are the way we are.
When you look at 'Grapes of Wrath,' the weakest moments are those in which Steinbeck is spouting a political idea directly at the reader. The book's real power comes from its slower, broader movement.
When we think of the myth of the settling of the West, this is our creation myth. But because we think of it as mythology, not as real people interacting with other real people, we ignore the cost of human lives and blood.
Whenever I'm interested in something, I make sure I'm really good at it.
I wanted to think about our creation myth; you know, what is the fundamental story that defines America. And it certainly is the West.
When you take the fact that you're loved for granted, it frees your mind to go after every other thing there is.
You don't make a decision about being a writer. There was a point, aged 21, when it became clear that this is who I am. The choice is how good you are going to be at it and how hard you are going to work.