Philip Pullman
Philip Pullman
Philip Pullman CBE, FRSLis an English writer. He is the author of several best-selling books, most notably the fantasy trilogy His Dark Materials and the fictionalised biography of Jesus, The Good Man Jesus and the Scoundrel Christ. In 2008, The Times named Pullman one of the "50 greatest British writers since 1945"...
NationalityBritish
ProfessionYoung Adult Author
Date of Birth19 October 1946
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It's not the presence of Christian doctrine I object to so much as the absence of Christian virtue,
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If the Disney Corp. wants to market this film as a great Christian story, they'll just have to tell lies about it.
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I thought physics could be done to the glory of God, till I saw there wasn’t any God at all and that physics was more interesting anyway. The Christian religion is a very powerful and convincing mistake, that’s all.
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I don't expect Christians to see God as a metaphor, but that's what he is. Perhaps it might be clearer to call him a character in fiction, and a very interesting one too: one of the greatest and most complex villains of all - savage, petty, boastful and jealous, and yet capable of moments of tenderness and extremes of arbitrary affection - for David, for example. But he's not real, any more than Hamlet or Mr Pickwick are real. They are real in the context of their stories, but you won't find them in the phone book.
christian powerful mistake
The Christian religion is a very powerful and convincing mistake.
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All the stories of the Bible that I know came to me first from my grandfather's lips. He would see stories in everything. He told stories very easily and very generously, so I loved him for that. He was a simple man, a Victorian; he was born in 1890-something. He saw no reason and had never seen any reason to question his Christian faith. His faith was strong and simple and that's it. And I, like his other grandchildren and the children in his parish, sheltered underneath it.
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Books which satisfy us and feed us and nourish us have to have this substratum of genuine truth in them, ... And I don't see much of that in most fantasy.
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Fighting isn't the right response to bullying-for adults. Adults have to find out what makes the bully the way he is and look for reasons and answers and understanding. That's an adult's responsibility.
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It's not like watching TV; it's not even like watching a film in a cinema. Everyone in that big space is alive and everyone is focussed on one central activity.
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For a human being, nothing comes naturally. We have to learn everything we do.
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The experience of being in the audience when a play or an opera is being performed is not simply passive. Children need to go to the theatre as much as they need to run about in the fresh air.
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And before I'd got to the end of the first paragraph, I'd come up slap bang against a fundamental problem that still troubles me today whenever I begin a story, and it's this: where am I telling it from?
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Adam and Eve are like imaginary numbers, like the square root of minus one... If you include it in your equation, you can calculate all manners of things, which cannot be imagined without it.
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Adam and Eve are like imaginary number, like the square root of minus one... If you include it in your equation, you can calculate all manners of things, which cannot be imagined without it.