Peter Jackson
Peter Jackson
Sir Peter Robert Jackson ONZ KNZMis a New Zealand filmmaker and screenwriter. He is best known as the director, writer and producer of The Lord of the Rings trilogyand The Hobbit trilogy, both of which are adapted from the novels of the same name by J. R. R. Tolkien. Other notable films include the critically lauded drama Heavenly Creatures, the mockumentary Forgotten Silver, the horror comedy The Frighteners, the epic monster remake film King Kongand the supernatural drama film The...
NationalityNew Zealander
ProfessionDirector
Date of Birth31 October 1961
CityPukerua Bay, New Zealand
There are perennial stories like 'Alice in Wonderland' and 'Sherlock Holmes' and those sorts of things, which have been around since almost as long as film, and 'Frankenstein' is another one. They're perennial favorites, which get remade every 20 years, and that's OK.
I think we're going to enter a phase where there's less interest in the CGI and there's a demand for story again. I think we've dropped the ball a little bit on stories for the sake of the amazing toys that we've played with.
I fell in love with stories watching a British television puppet show called 'Thunderbirds' when it first came out on TV, about 1965, so I would have been 4 or 5 years old. I went out into the garden at my mom and dad's house, and I used to play with my little dinky toys, little cars and trucks and things.
That is precisely just what I don't want to be known as. I just want to go back to my own little filmmaking base, telling small New Zealand stories with my writing partner, Fran Walsh. I have no huge desire to be swallowed up by Hollywood.
That is precisely just what I don't want to be known as, ... I just want to go back to my own little filmmaking base, telling small New Zealand stories with my writing partner, Fran Walsh. I have no huge desire to be swallowed up by Hollywood.
Structure is important in film, but there's often structure to be found in the most unlikely of places! It's quite possible to build a structured story and retain idiosyncrasy.
There's no real rules about what you do [while directing]; it's just you just use your instincts as to the pacing of a film and what is repetitive and what is the minimum amount you can get away with to tell the story, that scene didn't make it in.
When a documentary is being made, it usually focuses on the director or an actor. We felt that it would be more interesting to really dissect a film down to its smallest components.
We used a lot of computer technology, and I think New York looks pretty convincing. I think most people will think we got in a time machine and somehow shot it in New York in '33.
We just heard about this and we are working with our information technology experts to address this.
We are trying to get to the bottom of what is causing Adnan the problem,
But the mood in training is great and everybody looks forward to playing.
We might not always play well, but I can guarantee we will always give it 100 per cent and I don't know why some fans can't see that commitment.
We understand Robert's decision and wish him all the best in his future endeavors. He is about to complete a Masters Degree in Sports Management studies he has conducted outside football. It was always going to lead to a change in career direction at some stage,