Peter Capaldi
Peter Capaldi
Peter Dougan Capaldiis a Scottish actor, writer and director, best known for being the twelfth and current actor to play the title role in the long-running BBC One sci-fi series Doctor Who. He has played numerous roles in film and television including the role of Malcolm Tucker, a spin doctor in the BBC comedy series The Thick of It and its film spinoff In the Loop, for which he has received four British Academy Television Award nominations, winning Best Male...
NationalityScottish
ProfessionTV Actor
Date of Birth14 April 1958
CityGlasgow, Scotland
The truth is that I got to Hollywood, and I didn't know what to do once I got there.
The Hollywood image of the movie business is all about ambition and high achievers like James Cameron. But the British film industry is much more about men who wear cravats and work with model trains and hope another series of 'Thomas the Tank Engine' will be commissioned.
The difference between movies and TV is that in TV you have to have a trauma every week, but that event may not be the biggest event in the characters' lives.
You can't, as an actor, conduct yourself by making constant references to other people.
I love these sort of documentaries, which you might turn on late on a Saturday night - like, say, 'The Alma Cogan Story.' But they are ripe for spoofing, because the presenters are always so serious and anxious to make themselves look like rather attractive and interesting people.
I love Hugh Laurie, but I don't want to be a guy who goes to work every day for nine months of the year in a corner of Burbank. I really don't. I like doing a bit here and a bit there and strange things, and I think that's held me back.
I think that people like the idea that fans are sort of slightly eccentric and strange, but generally I've just found them very creative and warm and cheerful.
I knew Richard E. Grant, and I went to him and said "Would you like to [play Kafka in the film]?" and he said yeah, and then suddenly I had all these people who were happy to come along. We got a little bit of money from Scottish Screen to pay for it. I got so many favors because I knew people in the business. I was in a remarkably good position. I got so many favors from people. I got the Monty Python technical people.
I found American actors quite scary because they're brilliant actors and brilliantly funny, and they never stopped once you wound them up... off they went and they just deliver fantastic stuff.
We had our British background of traditional theatre behind us.
My family has to be very patient living with me, if you're playing a part that's not you. You have to get it right.
I'm a huge fan of The Sopranos, and suddenly, you find yourself going one-to-one with this guy who you've been watching for years, watching every flicker in his eye and every detail on his face.
If you actually have to engage with somebody who's superior to you and actually battle with them, struggle with them, I think it's more interesting, and funnier for the audience.
One of the problems with episodic television of any color is that everything has got to be okay at the end of the episode so it can start again next week. So the events that occur are rarely life-changing. But with film, you can say that this thing only happened once; this is a major thing that happened to these people.