Pete Seeger
Pete Seeger
Peter "Pete" Seegerwas an American folk singer and social activist. A fixture on nationwide radio in the 1940s, he also had a string of hit records during the early 1950s as a member of the Weavers, most notably their recording of Lead Belly's "Goodnight, Irene", which topped the charts for 13 weeks in 1950. Members of the Weavers were blacklisted during the McCarthy Era. In the 1960s, he re-emerged on the public scene as a prominent singer of protest music...
NationalityAmerican
ProfessionFolk Singer
Date of Birth3 May 1919
CityNew York City, NY
CountryUnited States of America
I used to agree with Kurt Vonnegut, who said that the human race has a snowball's chance in hell of being around a hundred years from now.
There's a story behind every old ballad or work song or nonsense song that I ever knew. Sometimes it's a fascinating story. A story of people struggling for freedom, struggling to get along in this old world.
I was never enthusiastic about being somebody who was supposed to be silent about being a member of something.
It was only through the years that I realized what an absolutely extraordinarily thoughtful person Dr. King was.
I learned by transcribing songs out of the Library of Congress collection in Washington where I was working. I got a job when I just turned twenty in 1939 and Alan [Lomax] needed some help. I listened to hundreds of records every week.
In the United States, many people said you can't have folk music in the United States because you don't have any peasant class. But the funny thing was, there were literally thousands, tens of thousands, hundreds of thousands of people who loved old time fiddling, ballads, banjo tunes, blues played on the guitar, spirituals and gospel hymns. These songs and music didn't fit into any neat category of art music nor popular music nor jazz. So gradually they said well let's call it folk music.
I was about 16 years old years when my father took me to a square dance festival in North Carolina. For the first time in my life, I found there was music in my country that you never heard on the radio, and you didn't hear on the juke boxes, and in theaters. I fell in love with it, especially the long-necked banjos.
When I got out of school, I spent two years just hitchhiking around. Every time I met some old farmer who could play banjo, I got him to teach me a lick or two. Little by little, I put it together.
I still prefer to hear [Bob] Dylan acoustic, some of his electric songs are absolutely great. Electric music is the vernacular of the second half of the twentieth century, to use my father's old term.
Most conservatives just want to turn back the clock to a time before the income tax - 100 years or so. I would like to turn the clock back thousands of years to a time when people lived in small communities and took care of each other.
Way back in the old days, say in Europe of the Middle Ages, you had an aristocracy, and they could afford to pay for musicians. The kings and queens had musicians in the castles, and that developed into symphony orchestras and what we call "Classical music" now.
I was 16 when I came to New York. I had graduated to a tenor banjo in the school jazz band, and it was kind of boring - just chords, chords, chords. Then my father took me to a mountain music and dance festival in Asheville, North Carolina, and there I saw relatively uneducated people playing great music by ear.
The first country conquered by any dictator is his own country.
I think folk music helps reinforce your sense of history. An old song makes you think of times gone by.