Paul Klee

Paul Klee
Paul Kleewas a Swiss-German artist. His highly individual style was influenced by movements in art that included Expressionism, Cubism, and Surrealism. Klee was a natural draftsman who experimented with and eventually deeply explored color theory, writing about it extensively; his lectures Writings on Form and Design Theory, published in English as the Paul Klee Notebooks, are held to be as important for modern art as Leonardo da Vinci's A Treatise on Painting for the Renaissance. He and his colleague, Russian...
NationalitySwiss
ProfessionPainter
Date of Birth18 December 1879
CityMunchenbuchsee, Switzerland
CountrySwitzerland
I still come closest to success with drawing.
It is the artistic mission to penetrate as far as may be toward that secret ground where primal law feeds growth.
A line comes into being. It goes out for a walk, so to speak, aimlessly for the sake of the walk.
Colour has taken hold of me; no longer do I have to chase after it. I know that it has hold of me forever. That is the significance of this blessed moment
When looking at any significant work of art, remember that a more significant one probably has had to be sacrificed.
Chosen are those artists who penetrate to the region of that secret place where primeval power nurtures all evolution. There, where the powerhouse of all time and space call it brain or heart of creation activates every function, who is the artist who would not dwell there?
Every artist would like to live in the central organ of creation... Not all are destined to get there... but our beating hearts drive us deep down, right into the pit of creation.
Democracy with its semi-civilization sincerely cherishes junk. The artists power should be spiritual. But the power of the majority is material. When these worlds meet occasionally, it is pure coincidence.
Frightened, I jump up from the bank, the struggle begins anew. Bitterness has returned. I am not Pan in the reed, I am merely a human being and want to climb a few steps, but really climb them...
The more horrible this world (as today, for instance), the more abstract our art, whereas a happy world brings forth an art of the here and now.
It is a great difficulty and a great necessity to have to start with the smallest.
The creation lives as genesis beneath the visible surface of the work. All intelligent people see this after the fact, but only the creative see it before the fact - in the future.
Gradually compositions make an appearance again. Political - satirical - conceits expressed in one figure or a few.
I still come closest to success with drawing. When I use color the results are dubious, for these painfully gained experiences bear less fruit.