Paul Bettany
Paul Bettany
Paul Bettanyis an English actor. He first came to the attention of mainstream audiences when he appeared in the British film Gangster No. 1, and director Brian Helgeland's film A Knight's Tale. He has gone on to appear in a wide variety of films, including A Beautiful Mind, Master and Commander: The Far Side of the World, Dogville, Wimbledon, and the adaptation of the novel The Da Vinci Code. He is also known for his voice role as J.A.R.V.I.S. in...
NationalityEnglish
ProfessionMovie Actor
Date of Birth27 May 1971
CityLondon, England
I have an interest in giving people a cathartic experience, and making them look at homeless people differently, and making them question how they judge people, in general.
I simply don't understand the refugee crisis. The history of humanity can be told through a story of migration and settlement. If I can't protect my family, I'm coming to where you are; I'm just coming. It's a round world, and we've all got to get on with it and move on.
I feel like the world we live in seems to be full of an increasingly grey area, but the culture that we live in seems to be getting really entrenched in black and white positions, and I think it's urgent to talk about that because it's going to kill us all.
An agent friend of mine who will remain nameless said you can't make a romance about homeless people; nobody wants to see them kiss. And I thought, what a repulsive, repugnant, extraordinary thing to say. I had to think about the fact that the world is probably full of other people who feel like that. The very idea that we spend time trying to humanize humans is extraordinary to me.
Half of NYC's homeless populations are families.Homeless people have been ignored for too long. I'll just say this: If you are a family on the brink of eviction you are 80% less likely to get evicted if you have legal counsel. However, there is no right to legal counsel in housing court.It would cost the city $12,500 to grant that family legal counsel. Meanwhile, the average stay for a homeless family in a shelter once they have been evicted cost the city $45,000. So not only does it seem like the right thing to do morally, it's also the right thing to do fiscally.
I never really took into account the number of homeless families. As a kid, we used to feed the hungry at my church every other Saturday, and one day this kid from my school was there. Somewhere between that moment of realization and appreciation for what my Dad sacrificed for us to have, and me becoming "Anthony Mackie" I lost it. This movie [Shelter] really made me realize that, and it was very humbling and very sickening to see that within myself.
I realized that this story [Shelter] is all about family, family loss, and how it influences you day to day life.
I think language is the most important thing that human beings have ever accomplished, and the only thing that's really going to get us all out of the troubles that we find ourselves in.
I wanted to know as the director how the actors wanted to tell this story I wanted to know what they thought.
I don't want to infantilize the actor; I want to empower the actor. Actors can be many things, but all of the really good ones are really great storytellers, and I'm interested in that. If you're not interested in that as a director then you better be Stanley Kurbrick.
An actor has so much less space and responsibility. Sometimes you come on, and there are already tape marks for where you are supposed to stand, and the dialogue is already decided on. If you want to make a change and contribute something, it has to be approved by a number of people.
Doing the big budget films really makes you appreciate doing movies like Shelter. It's because this is like doing theater, you just have to hit the ground running
I find that our response to homelessness really puzzlingly. It's a peculiar response that people have.
The trouble with talking about acting is that it's like sex. It's enormously fun to do but just dreadfully embarrassing when you have to talk about it.