Park Chan-wook
Park Chan-wook
Park Chan-wookis a South Korean film director, screenwriter, producer, and former film critic. One of the most acclaimed and popular filmmakers in his native country, Park is most known for his films Joint Security Area, Thirst and what has become known as The Vengeance Trilogy, consisting of 2002's Sympathy for Mr. Vengeance, 2003's Oldboy and 2005's Lady Vengeance. His films are noted for their immaculate framing, black humor and often brutal subject matter...
NationalitySouth Korean
ProfessionDirector
Date of Birth23 August 1963
both carefully curious director korean satisfy sensitive thinks
Actors, I think, are all the same. Both Korean actors and American actors are all very sensitive people, and they are all curious to know what the director thinks of them and how they are evaluated, and they try to satisfy the director. And they like it if you listen carefully to their opinions and accept them.
korea america challenges
Ever since I arrived in America to promote "Stoker," I haven't had time to go and see it in a theater. The fact that I had to shoot twice as fast as I'm used to in Korea was the most challenging thing about my Hollywood experience.
home thinking korea
Not only do I look at the playback with the actors, but I look at the on-set assembly footage with the sequences with my actors as well. These are the reasons why I take twice as much time to shoot a film in Korea. Thinking back, I remember on my first ever Korean film, I never used any playback or on-set assembly, so all I had to do was to tell myself it's just like making my first ever Korean-language film. After that, I felt right at home.
water korean novel
I've read all of Sarah Waters's novels which have been translated into Korean.
korean film reason
The reason why I always wanted to make an American film was because of the Western genre. It is something that I would very much like to make in the future, because it's very uniquely American, and I can't make a Western film in Korean.
korean
I tend not to use the humor which would only apply to Koreans, or which would only affect the Koreans, as much as I can.
cutting korea vision
In Korea is what I do is I watch the playback of each take with all of the actors and spend a lot of time discussing each take. Also, I use the process we call auto-assembly because I storyboard my entire film right at the beginning, even before pre-production ever begins, so my vision is already laid out on the storyboard for everybody to share. It enables the on-set assembly person, as we call them, to cut together each take into a sequence. This enables a director to review the take within the context of the sequence of the scene.
elements visual
Visual elements are, of course, the director's job.
possible
It is not possible for a person to be completely free of sin and be squeaky clean.
films people
Lots of people think the violence in the films I make is overwhelming, but they think they're seeing something that they aren't seeing.
behind hear impression music peel sadness sorrow
When you first hear Mozart's music, your first impression is that it's very alive, but if you peel away the layers, you can hear sorrow and sadness behind it, and that's what I try to be: multi-layered.
pose shocking
The reason I want to show shocking things is that they always pose an ethical question.
characters good matter responsibility share whether
All of the characters in my films, they share one commonality. It doesn't matter whether they are good or bad, it doesn't matter whether they are smart or stupid, these characters all take responsibility for their own behavior. I'm much the same.
almost people
Living without hate for people is almost impossible.