Park Chan-wook
Park Chan-wook
Park Chan-wookis a South Korean film director, screenwriter, producer, and former film critic. One of the most acclaimed and popular filmmakers in his native country, Park is most known for his films Joint Security Area, Thirst and what has become known as The Vengeance Trilogy, consisting of 2002's Sympathy for Mr. Vengeance, 2003's Oldboy and 2005's Lady Vengeance. His films are noted for their immaculate framing, black humor and often brutal subject matter...
NationalitySouth Korean
ProfessionDirector
Date of Birth23 August 1963
I'm not the kind of director who aims to send a message out.
Not only do I look at the playback with the actors, but I look at the on-set assembly footage with the sequences with my actors as well. These are the reasons why I take twice as much time to shoot a film in Korea. Thinking back, I remember on my first ever Korean film, I never used any playback or on-set assembly, so all I had to do was to tell myself it's just like making my first ever Korean-language film. After that, I felt right at home.
I've read all of Sarah Waters's novels which have been translated into Korean.
If I want to relax and not do anything, I don't want to leave home.
I'd love to do a sci-fi movie, a western, or an espionage thriller. But I'm not going to limit myself. If a good script comes along, I'm not going to discount it because it doesn't fit into one of these genres.
Certainly, it includes that. I want the story to be interpreted in as many ways as possible, and of course, the bad blood aspect of it included. For instance, perhaps this is a story not about the hereditary nature of evil, but rather you could interpret it from a different perspective, too.
I've always had an interest in vampire films - not just 'Nosferatu,' but there are many others that I have enjoyed: Abel Ferrara,Coppola, Neil Jordan.
Whenever I visit a city, I like to see what classical music concerts are on offer.
There's a humble beauty about listening to period instruments that I like.
The reason why I always wanted to make an American film was because of the Western genre. It is something that I would very much like to make in the future, because it's very uniquely American, and I can't make a Western film in Korean.
The audience seems hazy to me, shrouded in a veil through which I can't see.
I believe 'love' is very nice to hear, but it's used so much that it's come to a point where it's almost meaningless.
I became a film director, but I wasn't successful with my first couple of films, so I had to turn to becoming a film critic to make a living.
If you are watching my films and wondering, am I missing humorous speak because I'm not Korean? Am I missing out? You don't have to worry, because you're only missing probably about a few cents worth out of your ticket price.