Oscar Wilde
Oscar Wilde
Oscar Fingal O'Flahertie Wills Wildewas an Irish playwright, novelist, essayist, and poet. After writing in different forms throughout the 1880s, he became one of London's most popular playwrights in the early 1890s. He is remembered for his epigrams, his novel The Picture of Dorian Gray, his plays, as well as the circumstances of his imprisonment and early death...
NationalityIrish
ProfessionNovelist
Date of Birth16 October 1854
CityDublin, Ireland
CountryIreland
Where there is no extravagance there is no love, and where there is no love there is no understanding.
Where there is no exaggeration there is no love, and where there is no love there is no understanding. It is only about things that do not interest one, that one can give a really unbiased opinion. . .
In judging of a beautiful statue, the aesthetic faculty is absolutely and completely gratified by the splendid curves of those marble lips that are dumb to our complaint, the noble modelling of those limbs that are powerless to help us.
Yes, there is a terrible moral in 'Dorian Gray' - a moral which the prurient will not be able to find in it, but it will be revealed to all whose minds are healthy. Is this an artistic error? I fear it is. It is the only error in the book.
I have never given adoration to any body except myself.
No better way is there to learn to love Nature than to understand Art. It dignifies every flower of the field. And, the boy who sees the thing of beauty which a bird on the wing becomes when transferred to wood or canvas will probably not throw the customary stone.
One's real life is so often the life that one does not lead.
Consistency is the last refuge of the unimaginative.
In its primary aspect, a painting has no more spiritual message than an exquisite fragment of Venetian glass. The channels by which all noble and imaginative work in painting should touch the soul are not those of the truths of lives.
The mark of all good art is not that the thing done is done exactly or finely, for machinery may do as much, but that it is worked out with the head and the workman's heart.
A critic should be taught to criticise a work of art without making any reference to the personality of the author.
Let us have no machine-made ornament at all; it is all bad and worthless and ugly.
The only difference between a caprice and a life-long passion is that the caprice lasts a little longer.
The proper basis for marriage is mutual misunderstanding