Orson Scott Card
Orson Scott Card
Orson Scott Card is an American novelist, critic, public speaker, essayist and columnist. He writes in several genres but is known best for science fiction. His novel Ender's Gameand its sequel Speaker for the Deadboth won Hugo and Nebula Awards, making Card the only author to win both science fiction's top U.S. prizes in consecutive years. A feature film adaptation of Ender's Game, which Card co-produced, was released in late October 2013 in Europe and on November 1, 2013, in...
NationalityAmerican
ProfessionWriter
Date of Birth24 August 1951
CountryUnited States of America
Among my most prized possessions are words that I have never spoken.
Perhaps it's impossible to wear an identity without becoming what you pretend to be.
It's called civilization. Women invented it, and every time you men blow it all to bits, we just invent it again.
I learned to separate the story from the writing, probably the most important thing that any storyteller has to learn-that there are a thousand right ways to tell a story, and ten million wrong ones, and you're a lot more likely to find one of the latter than the former your first time through the tale.
Love is finding that the things you like best about yourself are not in you at all, but in the person who completes you
I will remember this, thought Ender, when I am defeated. To keep dignity, and give honor where it's due, so that defeat is not disgrace. And I hope I don't have to do it often.
the seed of doubt was there, and it stayed, and every now and then sent out a little root. It changed everything, to have that seed growing. It made Ender listen more carefully to what people meant, instead of what they said. It made him wise.
I think that most of us, anyway, read these stories that we know are not "true" because we're hungry for another kind of truth: the mythic truth about human nature in general, the particular truth about those life-communities that define our own identity, and the most specific truth of all: our own self-story. Fiction, because it is not about someone who lived in the real world, always has the possibility of being about oneself. --From the Introduction
The story itself, the true story, is the one that the audience members create in their minds, guided and shaped by my text, but then transformed, elucidated, expanded, edited, and clarified by their own experience, their own desires, their own hopes and fears.
Maybe she couldn't know who she was today. Maybe it was enough to know that she was no longer who she was before.
I've lived too long with pain. I won't know who I am without it
America's intellectual community has never been very bright. Or honest. They're all sheep, following whatever the intellectual fashion of the decade happens to be. Demanding that everyone follow their dicta in lockstep. Everyone has to be open-minded and tolerant of the things they believe, but God forbid they should ever concede, even for a moment, that someone who disagrees with them might have some fingerhold of truth.
In philosophy class I think we finally decided that 'good' is an infinitely recursive term - it can't be defined except in terms of itself. Good is good because it's better than bad, though why it's better to be good than bad depends on how you define good, and on and on.
There is no society that does not highly value fictional storytelling. Ever.